The new Taiwan Creative Content Agency (TAICCA) introduces drama, a historic newsreel, a boyhood tale, and a survey of literature.
Québec City Publisher Antoine Tanguay’s Interactive ‘Cabinet of Curiosities’
In a Frankfurter Buchmesse ARTS+ session, publisher Antoine Tanguay introduces his interactive storytelling project and why he believes publishers need to adapt to ‘changing cultural needs.’
Taiwan and Transmedia at The Arts+: Moving Stories on All Channels
The Taiwan Creative Content Agency is partnering with Frankfurt in a new initiative to develop intellectual property across platforms.
At CONTEC Mexico, Publishers Are Told ‘We’re Multi-Platform Beings’
Saying that the book is no longer a business model in itself, Roger Casas-Alatriste insists on a transmedial approach for publishers.
CONTEC Mexico 2020: Focus on Storytelling, AI, and Transmedia
The 2020 CONTEC Mexico conference spends two days examining the potentials of transmedia and artificial intelligence for book publishing.
From Novel to VR: Making The Times’ ‘Lincoln in the Bardo’
Director Graham Sack and producer Jennifer 8. Lee collaborated with The New York Times on a short virtual reality film based on ‘Lincoln in the Bardo.’
At Singapore’s StoryDrive Asia: Proud Publishers, Digital Demands
From Stockholm’s internationally situated Bonnier with its history to the new Canelo from the UK and 10-year-old Wattpad, innovation is the quest at StoryDrive Asia in Singapore.
This Week in Singapore: StoryDrive Asia and Digital Media Potential
Understanding publishing in the digital context of ‘nearby media’ is at the heart of the Frankfurt Book Fair’s StoryDrive Asia conference in Singapore.
Five Publishing Companies To Pitch Their Content at Germany’s GamesCom
Three German companies, another from Belgium and one from the UK will pitch video game projects to specialists later this month at GamesCon in Cologne.
Illustrations, Design, and Above All Stories: China’s StoryDrive Asia 2016, Part 2
One literary agent’s story at this fourth iteration of the international conference was about selling 2,000 English-language titles into the Chinese market. Going the other direction? Not so easy.