‘What we are producing is to be relied upon in this world of fake news.’ This, says Orion’s Katie Espiner, is global book publishing’s message today.
‘Women need to almost un-condition themselves,’ says Emerald’s Vicky Williams, who joins The Markets’ panel at Frankfurt Book Fair on women in publishing.
Watching Romanian youth leave for education elsewhere in Europe, Bucharest’s Grupal Editorial Art is teaming up with Stuttgart’s Klett Gruppe to raise educational standards at home.
‘Stories remain when the land has been taken,’ says Cherie Dimaline about indigenous narratives of Canada. “We live in the stories.”
A good agency’s character is ‘built with many authors, not single ones.’ CBQ’s Claudia Bernaldo di Quiros offers five titles making rights sales.
‘The readers feel the book was written to them,’ says one of two authors of ‘postcard books’ in Denmark, books ‘sent from somewhere unknown,’
Russia’s book piracy problem seems to be getting worse: in a new survey, two out of three respondents say they believe downloading pirated content is legal.
Focused on Mexican and Latin American authors, La Cartonera publishes hand-made books with hand-painted covers. These literary creations are selling at home and abroad.
As Hollywood went into high gear for Christopher Nolan’s new film, so did Open Road Integrated Media for Walter Lord’s 1982 book on Dunkirk.
Cumhuriyet Books publisher Turhan Günay—just released in Istanbul pending court action—and Evrensel publishing house are named Prix Voltaire winners.