‘What I hadn’t anticipated was just how difficult it is to start a publishing business,’ writes Richard Charkin in a Frankfurt installment of his exclusive series for Publishing Perspectives.
In today’s installment in his exclusive monthly series, Richard Charkin recounts the development of ‘one of the great digital projects of our time.’
In this installment of his monthly column, exclusive to Publishing Perspectives, Richard Charkin looks at the question, ‘Why is that authors are typically paid a percentage of a notional retail price which hardly any customer pays?’
In his exclusive column for Publishing Perspectives, Richard Charkin asks why ‘the largest advances … go to the authors who need the money least, and vice-versa?’ and other questions for a journal he’d call ‘Ask Emma.’
If “unputdownable” means “putdownable” and “educational publishing” is “anything that’s not trade publishing,” what does “quality” mean in an insider’s lexicon of the book industry? Ask Richard Charkin.
In the year that Kamila Shamsie once proposed as a ‘Year of Publishing Women,’ the Pakistani-British author has won the Women’s Prize for Fiction 2018 for ‘Home Fire’ in London.
Now in line for the overall Costa Book of the Year award–to be announced January 30–the five Costa category winners include three titles from HarperCollins UK imprints.
The chiefs of Gallimard Jeunesse, Bloomsbury Publishing, and the Quarto Group join Kalimat’s Bodour on translation-exchange partnerships.
‘We cling on to the idea that the UK is so different from all the other countries.’ And change, says Bloomsbury’s Richard Charkin, is a new constant.
Citing robust international publishing output and efforts to tackle problems, Bloomsbury’s Richard Charkin gives an overview at Abu Dhabi.