Can Fraudulent Writers Ever Be Redeemed?

In Discussion by Edward Nawotka

By Edward Nawotka, Editor-in-Chief

Today’s feature story looks at how the awarding of this year’s $150,000 FIL literature prize to Peruvian Alfredo Bryce Echenique, an accused plagiarist, has divided writers and critics across Latin America. The issue is whether a writer’s canon comprising both fiction and journalism should be considered as a whole when under appraisal for a literary award, especially when the non-fiction is tainted by plagiarism.

James Frey became the poster boy for fraudulent writers, yet he still persists in having a career.

If Jonah Lehrer became a novelist — and a good one — would he be given that second chance? Jayson Blair certainly wasn’t. His novel Burning Down My Master’s House, itself a rather poor work of fiction, was published by a marginal press and trashed by the media. Some authors, such as James Frey, Nasdijj (aka Timothy Patrick Barrus), JT LeRoy (aka Laura Albert), or Asa Earl Carter (aka Forrest Carter), earned plenty of money and acclaim before they were largely banished from the literary limelight (though Frey, irrepressible as he is, still somehow continues to carry on writing and running his book packaging company Full Fathom Five). Others, such as Kaavya Viswanathan, author of  How Opal Mehta Got Kissed, Got Wild, and Got a Life, and Q.R. Markham, author of Assassin of Secrets — novels that were themselves acts of plagiarism — were simply never ever heard from again.

So, the question is should, as is the case with Echenique, such writers ever be forgiven? Should they be forced into a kind of literary purgatory for awhile and tolerated so long as they remain on the fringes. Or should they simply be cast out into permanent exile from the literary world?

Let us know what you think in the comments.

BONUS: Hoaxes, Cones and Lies: A Literary Quiz

About the Author

Edward Nawotka

A widely published critic and essayist, Edward Nawotka serves as a speaker, educator and consultant for institutions and businesses involved in the global publishing and content industries. He was also editor-in-chief of Publishing Perspectives since the launch of the publication in 2009 until January 2016.