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The ‘Astérix’ Rights Universe Widens: Papercutz’s New USA Editions

In News by Porter AndersonJune 19, 2020

With new translations from the original French by Joe Johnson, Papercutz’s new publication of the Astérix canon begins on July 14.

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Tales From Simon Stålenhag: The Artist-Author on His New Amazon Original Series

In Feature Articles by Porter AndersonJune 19, 2020

‘My collective seashell,’ as Simon Stålenhag puts it, ‘sounds like that’—his artwork, his texts, and the new cinematic treatment by Nathaniel Halpern.

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Coronavirus Worklife: Canada’s Kids Can Press Premieres ‘CitizenKid’

In News by Porter AndersonJune 5, 2020

Even while working from home, the Kids Can Press children’s book team in Toronto will see a premiere today of a new film based on its CitizenKid series.

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Rights Roundup: New Titles Entering the International Marketplace

In Feature Articles by Porter AndersonJune 5, 2020

From Germany, Spain, Cameroon and France, the United States, Québec, Greece, Majorca, and the United Kingdom, our titles today are in the early stages of their rights sales.

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Rights Roundup: Tracking Strong Sales in International Deals

In Feature Articles by Porter AndersonMay 22, 2020

Today’s deals come from India, Sweden, the UK, Finland, Italy, and Norway and include art books, adult fiction, kids’ nonfiction–and historical train tales.

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Wattpad’s Verticalization: Now Making Its Own International Adaptations

In News by Porter AndersonMay 14, 2020

Taking a more aggressive stance in development of its properties, Wattpad Studios announces projects and writers for new film and television adaptations.

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Coronavirus Resources: Frankfurter Buchmesse’s The Arts+ Opens a Way for Publishers to Pitch Their IP

In News by Porter AndersonMay 12, 2020

As the pandemic narrows sales channels in publishing and other industries, Frankfurter Buchmesse’s The Arts+ offers a new forum for creative content.

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At CONTEC Mexico, Publishers Are Told ‘We’re Multi-Platform Beings’

In Feature Articles by Adam CritchleyFebruary 20, 2020

Saying that the book is no longer a business model in itself, Roger Casas-Alatriste insists on a transmedial approach for publishers.

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The UK’s CAMEO Awards: 2020 Shortlisted Book Adaptations

In News by Porter AndersonFebruary 19, 2020

London’s CAMEO Awards hail collaborations in Brexitian Britain’s creative industries, honoring book adaptations to film, television, stage, and audio.

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CONTEC Mexico 2020: Focus on Storytelling, AI, and Transmedia

In Feature Articles by Porter AndersonFebruary 17, 2020

The 2020 CONTEC Mexico conference spends two days examining the potentials of transmedia and artificial intelligence for book publishing.

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