‘The last 20 years have seen an ever-growing chasm between academic and trade publishing on the technology front,’ writes Charkin.
Richard Charkin: Ten Publishing Things That Will Never Be The Same
Richard Charkin even takes aim at publishing’s parties as he reviews some of the practical lessons of the pandemic–and revisits the hairstyle of his youth.
Industry Resource Lists: Publishers’ Responses Amid the Coronavirus Pandemic
In both the UK and the US, the publishers’ associations are offering guides on how publishers are—and can—respond to the coronavirus crisis.
Copyright: US Publishers Succeed in ‘Audible Captions’ Case
The success of the AAP in its case against Audible’s audiobook ‘Captions’ may have long-lasting influence on issues of AI and intellectual property.
Update: UK Publishers Association Tariffs Report Mistaken
Originally framing Trump’s EU tariffs as ‘damaging to the trade and in nobody’s interest,’ the export-reliant UK Publishers’ Association raised the alarm.
US Publishers Sue To Stop ‘Audible Captions,’ Charging Copyright Infringement
AAP chief Maria A. Pallante calls Audible’s ‘Captions’ an effort ‘to seek commercial advantage from literary works that it did not create and does not own.’
AAP’s Maria Pallante Calls For Industry Input on Trump’s China Tariffs on Books
The Association of American Publishers chief is polling its membership to predict where Donald Trump’s China tariffs on books could do the most damage.
AAP Objects to Trump’s China Shift: Only Children’s Book Tariffs Delayed
‘A wide range of other books remain on the list’ for near-term tariffs, notes AAP’s Maria A. Pallante, ‘including American fiction and nonfiction.’
Richard Charkin: A Tale of Two Titles
In this installment of his monthly column, exclusive to Publishing Perspectives, Richard Charkin looks at the question, ‘Why is that authors are typically paid a percentage of a notional retail price which hardly any customer pays?’
Richard Charkin: Seed Questions for an ‘Agony Journal’ for Publishing, ‘Ask Emma’
In his exclusive column for Publishing Perspectives, Richard Charkin asks why ‘the largest advances … go to the authors who need the money least, and vice-versa?’ and other questions for a journal he’d call ‘Ask Emma.’
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