Asking his staff to welcome ‘new companies and respective colleagues’ in international acquisitions, Markus Dohle touts PRH’s ‘unmatched global reach.’
Co-edition publishing is on the rise in Italy this year, as is the number of foreign rights Italian publishers have sold abroad, according to a new report from the Associazione Italiana Editori.
Continuing a longstanding tradition of cultural relations between France and China, the Prix Fu Lei this year features works by Foucault, Céline, and Adimi.
Organizers of the 2019 China Shanghai International Children’s Book Fair say that 1,498 rights trade agreements were made during the fair.
Now taking applications for its second-round translation funding of the 2019-2020 cycle, Publishing Scotland is also keeping an eye on Brexit.
Operating as ‘a trustworthy defender of copyright and its members’ interests,’ IFRRO installs a new board. And the AAP hires Cara Duckworth from RIAA.
Opening a new focus in his career, author Dmitry Glukhovsky’s stage and screen adaptations of his Putin-putdown ‘Text’ are finding fast traction.
Having sold the Chinese rights to every children’s title the Czech house took to Beijing, Albatros has nothing left to sell this weekend at Shanghai’s fair.
Our Rights Roundup today brings you eight titles written by seven women and one man from seven countries, each book with a clear goal.
Richard Charkin wonders if the winners of rights auctions are, in fact, winners. And he considers whether Nigel Beale is right to say there’s more to the book business than money.