Richard Charkin looks back at his four decades with the UK’s Publishers Association and the many book publishing issues the PA dealt with.
The Wolfson History Prize 2019 shortlist includes biographies of Wilde and Victoria, and studies in archeology, ornithology, seagoing wartime commerce, and ‘legacies of Nazi persecution.’
After joining the ‘polite, orderly, unthreatening and, frankly, very British’ Brexit protest of the weekend, Richard Charkin turns to surprise bestsellers.
Since the destruction of the University of Mosul library, momentum is building for Book Aid International’s efforts to coordinate and enable publishers’ contributions to rebuilding.
The 180-year-old weekly ‘The Tablet’ now has its archive online. And Gerald Cai of MXRi and SnapLearn has a development project with Oxford University Press.
At the Annenberg, Kathleen Hall Jamieson’s ‘Library of Alexandria moment’ is a warning to publishers that their essential content could go up in cyber-flames.
At the Association of American Publishers’ PSP conference on scholarly and professional publishing, speakers will address data security, licensing, AI, and leadership.
Proposing an alternate meaning for Brexit as the negotiations furor rises, Richard Charkin suggests: ‘Books Really (are) Entertaining, eXciting, Informative, and Transformational.’
‘What I hadn’t anticipated was just how difficult it is to start a publishing business,’ writes Richard Charkin in a Frankfurt installment of his exclusive series for Publishing Perspectives.
In today’s installment in his exclusive monthly series, Richard Charkin recounts the development of ‘one of the great digital projects of our time.’