In Dosdoce’s new study, American publishers’ interest in producing Spanish-language audiobooks is seen as rising rapidly.
As ebook sales continue to grow in Spanish-language markets, the new report from the Dosdoce and Bookwire.es shows digital subscription services are also gaining consumer traction.
The predictions made by publishers responding to Dosdoce’s new survey see the number of Spanish-language audiobook titles surpassing 10,000 this year, narration dialects starting to favor Latin American markets.
From European markets recovering from financial losses to translation in the US market and book-pricing differences based on authors’ genders, a ‘Beyond the Book’ panel at BookExpo looked at recent coverage of the books industry.
Less than two years after launch, an online rights-trading platform for the Spanish-language markets is shuttering. And a veteran observer has questions.
‘There is good news’ from the publishing sector in Spain, says The Markets’ visionary speaker Javier Celaya of Dosdoce.com. And it’s ‘radically transforming the cultural sector.’
Have you experimented with transmedia? Was it a success or failure? Share your stories, experiences and ideas with us.
This series on digital publishing is sponsored by Digital Book World, January 23-25, 2012. Enter discount code PUBPER12 at checkout to save $200 off the registration rate. By Javier Celaya As a writer in the 21st century, I am rather curious as to the different opportunities transmedia storytelling has to offer in the process of creating a work. Which multimedia …
International digital players are targeting the 500-million strong Spanish-language market. Scary stuff for Spanish-language publishers, who need to prepare.
Based on the Spotify model, streaming e-book subscription platforms are tricky to monetize properly for publishers — though they appear to be inevitable. By Javier Celaya MADRID: Yesterday I offered two different points-of-view on whether the streaming, cloud-based Spotify model was suitable to the book world — the first, from the reader’s angle, and the second one from the author’s …
- Page 1 of 2