Hachette UK’s Diane Spivey, who speaks Monday at London Book Fair’s Introduction to Rights, says there’s more recognition these days about how rights sales contribute to publishing revenue, even as the industry eyes Brexit’s approach.
With decades of experience in the offices and cubicles of the business, three publishing veterans are now repping authors as literary agents who hold meetings at 6 a.m.
At 150 and now owned by Hachette, the UK’s Hodder & Stoughton has a huge list of hits to its name and was ahead of the Penguin paperback revolution with pocket-size hardcovers in the 1920s.
Much as the afternoon focused on publishing’s return to audiobooks as a growth center in the business, London Book Fair’s Quantum conference audience was encouraged to review its assumptions.
Among unknowns facing the UK book industry this year, the idea of a Waterstones sale is among the most vexing. There’s one point of agreement: Industry players would like managing director James Daunt to stay in place.
In part for seeing publishers, authors as ‘partners in the publishing process,’ Tim Hely Hutchinson is praised as he retires from the helm of Hachette UK.
‘What we are producing is to be relied upon in this world of fake news.’ This, says Orion’s Katie Espiner, is global book publishing’s message today.
As innovative as publishers may want to be, how do we evaluate market response to ‘Julian Fellowes’s Belgravia’ with so few apps as apt comparisons?
How apt are apps now? Even as an icon of the industry takes a new direction, others want to stay the course—and still others say they’re done with apps.