In France, Gaël Faye made the jump from rap to fiction with the help of editor Catherine Nabokov, and his novel ‘Small Country’ is now headed to the cinema.
This month has included the announcement of the Frankfurter Buchmesse Film Awards, and in November, New York City’s Goethe-Institut will produce a monthlong film series to honor a new major publication of Uwe Johnson’s work in English.
Taking on the critics who say that TV and film are eroding publishing, the Publishers Association’s report asserts that the best—and top-earning—productions ‘begin with a book.’
In Cannes, Voltage is handling world rights to the film adaptation of Anna Todd’s ‘After’ from Wattpad Studios. In New York, a newly announced panel with the Motion Picture Association and AAP looks at film collaborations.
The new category announced in Frankfurter Buchmesse’s Film Awards program is for Best Illustrated Book on a Film-Related Subject–sumptuous film biographies, costume-design studies, or the making of a ground-breaking design: all are fair game in this new class of entry.
Publishing’s traditional position as society’s main storytelling industry may be in jeopardy. At a Byte the Book session during London Book Fair, speakers discussed how publishers can remain competitive.
The public-facing London Book and Screen Week opens with adaptation awards in film, television, gaming, audio, and stage.
After gathering new funding, Wattpad announces expanded efforts in development of film and digital content in Southeast Asian markets. Dexter Ong of 21st Century Fox Asia is tapped to lead from Hong Kong.
Books at Berlinale each year tempts film producers with 12 books carefully curated for their film adaptation potential—as the demand for screen rights soars in the age of Netflix, Amazon Studios, HBO, and others.
The first of this year’s The ARTS+ events is scheduled for later this week during the Berlinale. And in April, London Book Fair’s Quantum conference will feature keynote events with headliners from three disciplines.