In his Global Ebook Report this year, Rüdiger Wischenbart looks at how the disparate realities in world markets add up to no cohesive single interpretation.
The UK’s Publishers Association lays out demands to the government that it says are necessary for UK publishers to be successful post-Brexit.
The European Commission calls Amazon’s antitrust commitments ‘a timely, effective and comprehensive solution to the competition concerns’ raised.
Publishers’ responsibilities with ‘controversial authors professing what seem to be unpopular opinion’ at BEA, while Brussels gets some perspective on VAT.
The culprit-of-choice for the new report’s ‘downturn’ in e-reading is ‘screen fatigue.’ And the usual confusion follows a data-challenged overview.
The US’ Authors Guild widens its services with self-publishing instruction; university students in Turkey gain access to De Gruyter journal resources.
Rakuten Kobo will use Shelfie’s tech to identify reader preferences for recommendations and to offer ebook editions of print books owned by users.
Amid debate about whether EPUB may not be more suitable, the key ebook retailer in Russia announces a move to a new version of the FictionBook format, .fb3.
Sometimes forgotten literature finds new life in current events. The acclaimed Japanese sci-fi author Sakyo Komatsu’s short story ‘America’s Wall’ is a new case in point.
Ebook rights to works of Joan Didion, Joyce Carol Oates, and Philip Pullman go to Open Road, while Germany’s De Gruyter ups its ante in Open Access.