The EU copyright directive may be positive for book publishers, but Roy Kaufman says publishers should pay particular attention to articles 16 and 20.
On Frankfurt’s Academic & Business Information Stage, Copyright Clearance Center will look at the EU’s new copyright directive, open access, and ‘big data.’
Following her engagement in the development of the European copyright directive, Jessica Sänger now will helm the IPA’s important copyright committee.
Many of Europe’s book business leaders hail the approval of the European Union’s hard-fought Copyright Directive in Brussels today.
In a ballot count of 348 to 274, the European Parliament today (March 26) has voted in favor of the bitterly divisive copyright directive developed through years of effort as part of the Digital Single Union framework.
‘The directive is not perfect, but it is a very important step in the right direction,’ says Dr. Jessica Sänger of Germany’s Börsenverein as a Council of the European Union vote is awaited on the newly negotiated copyright agreement.
Following the release of German book market data from 2018, the country’s publishers turn their attention to issues facing their industry in 2019.
A European Parliament vote this week is expected to trigger more discussion on the EU copyright directive, which has both harsh critics and supporters.
Jessica Sänger of the German Publishers and Booksellers Association goes over the European Parliament’s action last week that put the Single Digital Market’s copyright directive into reconsideration.
Shortly after the Federation of European Publishers met to hold its officers’ elections, the European Parliament has rejected a copyright framework measure the federation has supported. Another vote will occur in September.
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