Marketing for World Book Day boosted titles we find on April’s China bestseller lists. And Albert Camus’ 1942 ‘L’Étranger’ charts for the first time.
Live theater’s popularity among young adults in China–and content in the public domain–have to do with strong performances by titles from two authors.
Movie-driven science fiction tops China’s bestseller lists in February, and we have news on the fast rise of ‘paid-for content’ in China.
OpenBook data reveals China’s bestselling authors of 2018, growing online book sales, and the strength of backlist titles.
An annual round of sales pricing on Double Eleven or ‘singles day’ provides a bump to Chinese publishers and booksellers in November.
Our September bestseller lists in China, produced in partnership with OpenBook and Trajectory, show the market’s fondness for classics cinematic tie-in editions.
The author, filmmaker, and restaurateur Zhang Jiajia climbs the charts by cross-platforming his own works, while summertime reading lists for students bolster the classics.
Disagreeing with assessments of a slowdown in the Chinese book market, the Beijing International Book Fair director says she’s seeing ‘real energy in the sector.
The charts from China for June show generally stable trends in popularity, with a big youth-reader hit riding again on top of fiction, and self-help continuing to hold its own among consumer interest this summer.
Lessons in what one observer calls ‘the ability to get along with one’s own emotions’ lead the way in our May bestseller list from China.