Urging young readers to contribute to their communities, Dav Pilkey’s ‘Do Good Tour’ will open in August with stops in the States, Asia and India.
Comics and Graphic Novels: Interview with Russia’s Dmitry Yakovlev
The chief of St. Petersburg’s comics and graphic novels publisher Bumknigo says it’s unlikely the sector will find the traction it has in France or the US.
‘Quirky’ Children’s Illustrated Books: The Queen’s Knickers Award
Whether through ‘curiosity, amusement, horror, or excitement,’ the new Queen’s Knickers Award is intended to highlight strong illustrated work for kids.
Scholastic’s ‘Kids & Family’ Report Sees Summer Youth Reading Lagging
More children are seen by Scholastic’s researchers as reading ‘zero books’ during the summer, and many parents don’t grasp the ‘summer slide’ problem.
Beijing International Book Fair To Emphasize Children’s Books Again
Featuring a parallel children’s division for a second year, the Beijing International Book Fair again expects some 2,500 exhibitors and 300,000 visitors.
A Book-Sharing Startup in Mexico: ‘Publishers Love Us Because We Buy Books’
Little Bookmates, a Mexican startup, offers a children’s book lending and home delivery—an approach inspired by the sharing economy trend.
Quantifying Markets: Nielsen’s Andre Breedt on Industry Research in Africa
Currently, Nielsen Book tracks books sales data in one African country, but Andre Breedt says there are plans to expand sales tracking across the continent.
Five Questions for Russia’s Boris Kuznetsov: Netflix and ‘Fashionable Reading’
Reading in Russia, says publisher Boris Kuznetsov, is ‘a fashionable and intellectual trend’ for a new generation of consumers—who may be watching Netflix.
South Africa’s Puku Foundation: Children’s Books To Save Languages
Delegates to the IPA Nairobi seminar will hear about the work of Puku, a foundation rushing to generate children’s books in endangered African languages.
Sourcebooks and Penguin Random House in ‘Collaborative Partnership’
Stressing that Sourcebooks will retain its independence, Penguin Random House’s 45-percent stake in the American publisher may mean new international reach.