‘Storytelling and pop culture collide,’ says the teaser on the New York Comic Con 2016 Web site. And that’s just the way these fans like it. BookCon leaves the trade-show floor and heads for the fans.
From some of the material presented at BookExpo America, looks at the US market courtesy of Nielsen Book and Kempton Mooney: So far, it’s a great year for Dr. Seuss. Again.
On the show floor, the crowds and booths are down. In one unusually frank exchange, however, this BEA finds traction on issues of publishing and its writers.
Opportunities and challenges in Poland’s publishing market are under discussion this week at BookExpo America, in the wake of a decision against fixed pricing there.
‘The convergence between books and the Web is really, really important,’ Tim Berners-Lee tells the #IDPFDigiCon audience. All else seems less certain.
Content today is ‘born digital, transmitted digitally, used digitally, consumed digitally,’ and a leading player in the field, Michael Healy, plans his address at IDPF to highlight some of the hotspots in a world teeming with copyright issue
Funded by the Amazon Literary Partnership, the Best Translated Book Award gives $5,000 to each winning author and translator, and is administered by Chad W. Post of the literary site Three Percent and Open Letter, a nonprofit literary press.
Not only BookExpo America but also its consumer-facing BookCon will be in Chicago in May, trading New York’s Javits Center for the McCormick Place complex.
The Chinese publishing market remains intimidating to the West, but the opportunities for publishers are undeniable, even as Chinese publishers struggle.
BookExpo America 2015 felt like even more of a marketing event with literature firmly pushed aside in favor of pure commerce.
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