Three of the 25th Women’s Prize for Fiction jurors are authors, and the German Nonfiction Prize’s jury is the first for this new award.
A story of the ‘New South’ in the States, Tayari Jones’ ‘An American Marriage’ is about injustice, love, and family, its issues of race and class played out in Atlanta.
In the year that Kamila Shamsie once proposed as a ‘Year of Publishing Women,’ the Pakistani-British author has won the Women’s Prize for Fiction 2018 for ‘Home Fire’ in London.
In its new approach to a “family of sponsors”—allowing the prize program to use its own name—the Women’s Prize for Fiction names its 2018 shortlist, supported by sponsors Baileys, Deloitte, and NatWest.
Two previously longlisted authors and one twice-shortlisted writer, Kamila Shamsie, are on this year’s Women’s Prize for Fiction longlist of 16 novels. The winner takes home £30,000 and a bronze figurine, the ‘Bessie.’
Implementing the change announced last year, the Women’s Prize for Fiction names Deloitte and NatWest as sponsors with Baileys, no one of them a title sponsor as Baileys and Orange have been in the past.
‘The constraint is a liberation,’ says film producer Tessa Ross, whose leadership of the Baileys Women’s Prize for 2017 honors the work of women writers.
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