Bonus Material: Video and Images from CLMP Spelling Bee

In Discussion by Edward Nawotka

By Chris Artis and Erin Cox Monday night’s “Let It Bee,” a spelling bee benefit for the Council of Literary Magazines & Presses gathered a full roster of New York book world stars to raise money for the 42-year-old nonprofit organization. We he had a chance to speak to a few of the stars of the night—authors Michael Musto, Ben Greenman, …

Aussie’s Take Two of Germany’s Top Children’s Prizes

In News by Guest Contributor

By Tim Coronel Australian authors Shaun Tan and Marcus Zusak have been announced as winners in two of the major categories at the Deutsche Jugendliteraturpreis, Germany’s most prestigious awards for children’s and YA books. [Pictured: the display of Shaun Tan’s books at the Frankfurt Book Fair by his German publisher Carlsen] The awards ceremony, held on Friday night as part …

Facing Off with Facebook

In Guest Contributors & Editorial by Guest Contributor

Editorial by Debra Ollivier If you’re a published author or soon-to-be-published author, chances are you’ll get something like the 63-page document I got from my publisher before my recent book was launched. It’s called “Internet Advice for Authors: Getting Started, Getting Online, and Getting Noticed,” and starts with the almost quaint question: “What is Online Marketing?” Every author is expected …

Finding #happiness on Twitter

In Guest Contributors & Editorial by Guest Contributor

Editorial by Sharon Glassman Different social media have different theme songs. By this I mean: a combo of info-pacing and density that creates a kind of silent, yet powerful tune. Linked In’s theme-song is coldly John Cage-esque. Facebook’s theme song is jarringly jam-bandish. Twitter’s theme song, by contrast is the Popcorn Song. As a book-loving, book-writing-n-writing-about person, that kind of …

From “Cruel Hookah” to “Cruel Hooker”: A Cross-Cultural Conversation in Poetry

In Guest Contributors & Editorial by Guest Contributor

By Christopher Merrill IOWA CITY: The book Seven Poets Four Days One Book was an experiment to see what would happen if poets from different lands, languages, and generations tried to write together. The possibilities for failure seemed limitless — which perversely appealed to me. For it has been my experience that the least promising material may sometimes yield the …

What Does a Book Ad Cost? And Who’s Gonna Pay?

In Guest Contributors & Editorial by Guest Contributor

By Chris Artis In 1966, Jacqueline Susann’s tireless and often shameless promotional efforts for her classic best-seller Valley of the Dolls “created a new way of selling a novel” in the words of legendary Simon and Schuster Editor Michael Korda. Indeed, they helped propel it to the top position on bestseller lists around the world. Still, decades later, publishers generally maintain …

No Truth in Travel

In Guest Contributors & Editorial by Guest Contributor

By James E. McWilliams AUSTIN, TEXAS: When news arrived that I’d received a modest advance for a book I was writing on global agriculture — published this month as Just Food: Where Locavores Get It Wrong And How We Can Truly Eat Responsibly by Little, Brown in the USA — my first thought was: “Where’s my passport?!?!” With the upfront …

Focus-Grouped Thoughts on the Branded Page

In Guest Contributors & Editorial by Guest Contributor

By James P. Othmer MAHOPAC, NEW YORK: Writing this sentence is a brazen, deliberate and irrevocable act of branding. Trust me, before it (and all subsequent vowels and consonants below) was written, it was parsed, focus-grouped and post-mortemed by twelve angry, bookish consumers on the shiny side of a two-way mirror in Teaneck, New Jersey.  To wit, they were asked: …

Re-thinking the Publisher/Author Partnership

In Guest Contributors & Editorial by Guest Contributor

By Robert Miller NEW YORK: I’ve just read M.J. Rose’s editorial from last Friday, “Publishers Must Change the Way Authors Get Paid,” and I couldn’t agree more that it’s time to re-think the publisher/author relationship.  M.J. deserves credit for moving this conversation forward; indeed, for years M.J. has shown by her own example how authors can and should be full …