As the book’s international rights sales power on, Lunde–no stranger to film development–is in a second deal with Anonymous Content’s new Nordic unit.
In a taut tale of radicalization and jihad, Norway’s Demian Vitanza contributes ‘This Life or the Next’ to a long season of top-notch political literature.
In a contentious turn of events, the Rathbones Folio Prize shortlist announcement prompts criticism of the Man Booker Prize for Fiction, while the Rathbones prize, itself, admits US entries, as the Booker does.
Adept at partnering with advertisers for product placement and auxiliary content, Toronto-based Wattpad now rolls out in-story ads to boost writer earnings.
Nayana Kakoma has a daughter and ‘I cannot find her stuff to read that does not have ponies and long blonde hair.’ So she’s starting a publishing company in Uganda.
Funded by a Kickstarter campaign, a ‘distraction-free’ bit of writing technology debuts today: Freewrite looks like your father’s typewriter.
Porter Anderson previews the Grub Street Muse Conference Town Hall on literary fiction in digital times; Publishing Perspectives streams it Friday 1:30 p.m. ET.
Following up on Kate Pullinger’s report on the 2013 MIX Making Day, Porter Anderson looks at Craig Mod’s new way of saying Hi: narrative mapping.
This year’s coveted German Book Trade Peace Prize will go to Algerian writer Boualem Sansal during a ceremony on Sunday October 16 in Frankfurt
Icelandic author and filmmaker, Sjón, discusses his inspiration for his novels and films, as well as writing lyrics for Björk.