The Snow Girl by bestselling author Javier Castillo came out two days before Spain’s coronavirus lockdown. So his publisher Suma took his 30-city book tour online—where thousands of fans were waiting.
Use ‘bribery’ or ‘extortion,’ not ‘quid pro quo,’ writes Roxana Robinson to the ‘Times,’ as the Authors Guild slams Justice’s letter to Hachette.
The Justice Department has written to Hachette about ‘A Warning,’ asserting that its anonymous author may be in violation of nondisclosure agreements.
As the book’s international rights sales power on, Lunde–no stranger to film development–is in a second deal with Anonymous Content’s new Nordic unit.
In a taut tale of radicalization and jihad, Norway’s Demian Vitanza contributes ‘This Life or the Next’ to a long season of top-notch political literature.
In a contentious turn of events, the Rathbones Folio Prize shortlist announcement prompts criticism of the Man Booker Prize for Fiction, while the Rathbones prize, itself, admits US entries, as the Booker does.
Adept at partnering with advertisers for product placement and auxiliary content, Toronto-based Wattpad now rolls out in-story ads to boost writer earnings.
Nayana Kakoma has a daughter and ‘I cannot find her stuff to read that does not have ponies and long blonde hair.’ So she’s starting a publishing company in Uganda.
Porter Anderson previews the Grub Street Muse Conference Town Hall on literary fiction in digital times; Publishing Perspectives streams it Friday 1:30 p.m. ET.
Following up on Kate Pullinger’s report on the 2013 MIX Making Day, Porter Anderson looks at Craig Mod’s new way of saying Hi: narrative mapping.