The last thing we expected was a coronavirus pandemic—as Margaret Heffernan’s new book ‘Uncharted’ could have told us.
Kazakhstan’s Rollan Seisenbayev on Ecological Disaster: ‘I Heard My Heartbeat’
‘The Aral Sea did not dry up by itself. It was killed,’ says Rollan Seisenbayev, whose ‘The Dead Wander in the Desert’ is longlisted by PEN America.
Environment and Climate on ‘Beyond the Book’: India’s Smog Crisis
Siddharth Singh, the author of ‘The Great Smog of India,’ speaks with Copyright Clearance Center’s ‘Beyond the Book’ podcast about the and dangers of New Delhi’s smog.
Egypt’s Muhammad Abdelnabi Wins France’s Arab Literature Prize
Saying he ‘wanted to write a story without it being shocking,’ Abdelnabi talks about his book based on an actual case of anti-gay police action in Cairo.
Yang Hongying: One of China’s Bestselling Children’s Book Authors
One of Yang Hongying’s most successful series now is 12 years old and has sold more than 70 million copies. Her total unit sales exceed 160 million units.
Croatian Publisher Fraktura Releases Igor Štiks’ Latest Novel, ‘W’
Igor Štiks’ works have been translated into 15 languages. Fraktura publisher Seid Serdarević has high hopes for this new mystery and political reflection.
Spain’s Dolores Redondo Goes to New Orleans for ‘North Face of the Heart’
In an interview with Publishing Perspectives, bestselling author Dolores Redondo on the inspiration behind her latest book, a prequel to her Baztán Trilogy sensation.
The Author’s Viewpoint: Arabic Fiction Laureate Ibrahim Nasrallah
The Arab world’s authors, says International Prize for Arabic Fiction winner Ibrahim Nasrallah, see weak book sales and politics: ‘Our voices aren’t heard.’
Interview: Comments on Displacement from Hoda Barakat, 2019 Arabic Fiction Winner
Lebanese writer Hoda Barakat, winner of the 2019 International Prize for Arabic Fiction, talks about displaced people and her book, The Night Mail.
Zayed Award Winner Hussain Al Mutawaa on Children and the Habit of Reading
The 2019 Sheikh Zayed Book Award winner in Children’s Literature counsels the publishing industry to stop ‘riding the wave’ of typical entertainment and promote issue-based reality in young people’s books.