Topics of race, identity, and historical context are featured in this year’s Kraszna-Krausz entries focused in photography and filmmaking.
‘My collective seashell,’ as Simon Stålenhag puts it, ‘sounds like that’—his artwork, his texts, and the new cinematic treatment by Nathaniel Halpern.
Berlin’s Hatje Cantz is using the pandemic’s restrictions to explore art and its books, and New York’s MoMA offers educators’s tools to parents.
The four independent publishers announced as new additions to Ingram Publishers Services clients show a range of visual and topical idiom, two of them with roots in Europe.
In subscriptions, Amazon’s Prime program announces a “Book Box” invitational offer in the United States, as the UK’s Unicorn art-book publisher names New Mexico’s Fatima Ronquillo to its retrospective club.
Open Road announces its acquisition of US ebook rights to iconic British journalist-novelist Graham Greene, as the UK’s Unicorn names artist Ali Cavanaugh for a 2019 retrospective.
UK-based Unicorn announces a new retrospective on American artist Brian Kershisnik; and US-based Open Road Media announces banner revenues in 2017 driven by its new ‘Ignition’ marketing offer.
Cambridge University Press swiftly restores censored ‘China Quarterly’ articles. The UK’s Unicorn announces a new series in Chinese contemporary art books.
Art book lovers head for the Tokyo Art Book Fair, which has a new award program from Germany’s Steidl Verlag, plus a Brazilian partnership.
Germany’s Taschen has a renewed focus on Russia and signed new deals with local book distributors Logosphere, Magma and Jupiter.
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