The EU copyright directive may be positive for book publishers, but Roy Kaufman says publishers should pay particular attention to articles 16 and 20.
AAP chief Maria A. Pallante calls Audible’s ‘Captions’ an effort ‘to seek commercial advantage from literary works that it did not create and does not own.’
The head of Malawi’s copyright agency, Dora Salamba, says the public doesn’t understand the damages that piracy can do to rights holders.
As the Industry Committee report on the Canadian Modernization Act arrives, publishing industry players call for speed, with an election looming.
Copyright Clearance Center is working with CopyGhana and other African organizations to build effective infrastructure for licensing and reproduction rights.
While the recommendations still must be legislated, Canadian publishing sees light at the end of a tunnel, after years of devastating copyright losses.
Following her engagement in the development of the European copyright directive, Jessica Sänger now will helm the IPA’s important copyright committee.
The June ‘Africa Rising’ seminar from the International Publishers Association will feature the Arab League’s Maha Bakheet on copyright issues.
Intended to make it easier for rights holders to defend copyrighted work the CASE Act is getting backing from publishing’s trade and advocacy organizations.
Many of Europe’s book business leaders hail the approval of the European Union’s hard-fought Copyright Directive in Brussels today.