Minecraft, Angry Birds, ‘Valérian et Laureline,’ and many more high-visibility properties are spotlighted in a daylong focus at Frankfurt on cross-media development.
‘Not to distract from Bulgakov’s text,’ writes Alexandra Guzeva, is producers’ challenge in creating a complex online reading of ‘The Master and Margarita.’
For a second time, Turkey’s Kalem Literary Agency pitched a book to a crowd of film producers at the Berlinale Film Festival. Agent Nazlı Gürkaş shares the experience and some advice.
Germany’s 2016 ‘Books at Berlinale’ event will see 11 titles in competition, a setting in which publishers and producers come together.
Polish cinematographer Slawomir Idziak hosts and annual film camp for visionaries to experiment with the new equipment shaping the future of storytelling.
France’s Astier-Pécher Literary & Film Agency is expanding to Asia, working with Jérôme Bouchaud who is based in Malaysia.
Film rights can mean more revenue for authors, agents and publishers. Take our survey and tell us how you prioritize film rights in your business.
Lisa Bruce spent years working on the film, The Theory of Everything, before convincing the author to sell the rights to the original memoir.
Out of Print, the film documentary by Vivienne Roumani about the state-of-affairs in the book business and the culture of reading in America circa 2013, is worth seeking out.
Anna Soler-Pont of Barcelona’s Pontas Literary & Film Agency discusses the her dual careers in books and movies, and role as an agent, writer and producer.