‘What we are producing is to be relied upon in this world of fake news.’ This, says Orion’s Katie Espiner, is global book publishing’s message today.
‘Women need to almost un-condition themselves,’ says Emerald’s Vicky Williams, who joins The Markets’ panel at Frankfurt Book Fair on women in publishing.
To ‘explore new uncharted waters,’ China South Publishing takes a stake in Frankfurt Book Fair’s global rights and license trading platform, IPR License.
As the young UK-based charity crowdfunds its Bangladesh books initiatives, PEN America has material dating to 1966 in its newly launched digital archive.
Calling for ‘a more open dialogue regionally and internationally,’ Bodour Al Qasimi accepts UNESCO’s designation of Sharjah as World Book Capital 2019.
Open to female and male writers of color, the Eleanor Taylor Bland annually goes to an unpublished writer working on a mystery-in-progress.
From 45 honorees, five shortlisted contenders will be revealed on September 4, a PW Star Watch ‘Superstar’ to be named on September 6 in New York City.
Netflix acquires comic book publisher Millarworld. Barnes & Noble Education adds positions in Brazil, France, Mexico with Student Brands.
A US judge ruled that publisher Moppet Books violated copyright by publishing children’s books based on modern literary works like Breakfast at Tiffany’s.
Tested by years of economic struggles, Malaysian publisher Arief Hakim watches for signs of benefit in change. It’s been ‘a perfect storm,’ he says.