With lectures, panel discussions, and commercial presentations in both German and English, the new Frankfurt Audio Stage in Hall 3.1 will be busy.
As Sweden’s Storytel prepares to enter the Mexican market, a set of challenges awaits, from building the habit of audiobook listening to bringing aboard regional publishers.
Creating original serialized content—as in the case of streaming on-demand services such as Amazon Prime and Netflix—holds the key to success for audiobook subscriptions, says Storytel España in a new report.
Lincoln in the Bardo by George Saunders was named Audiobook of the year at the annual Audie Awards, presented by the Audio Publishers Association in the US.
Reflecting a number of trends in international publishing, the upcoming CONTEC Mexico conference looks at how trends such as audiobooks and open access are playing out in Latin America and across the globe.
From ventures in subscription, crowdfunding, narrative development, and audio-first production, a quartet of speakers talks to Klopotek’s annual Publishers’ Forum about the possibilities, and some realities.
With tracks in both English and German, and translation for plenary sessions that bring the two together, the 2018 Publishers Forum program is devised to sort out genuinely promising tech from fads.
At next week’s Publisher’s Forum from Klopotek in Berlin, designer-author Paula Zuccotti will engage in a potentially pivotal ‘fireside chat’ about what it means to publishing that ‘Everything We Touch,’ is competing for our attention.
In its 31st year, Buchmesse’s annual Rights Meeting on ‘Book Fair Tuesday’ focuses on Asian licensing, social media, and a burgening audio market.
Taking both audiobooks and podcasting together, the Bookwire ‘All About Audio’ program was a multifaceted tour of the issues with a final message to publishers: Streaming is inevitable.
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