Licensing: Netflix Has Five Dr. Seuss Projects in the Works

In News by Porter Anderson

Productions are underway, expanding the Dr. Seuss Enterprises partnership with Netflix for new animated projects for a preschool audience.

Image: Dr. Seuss Enterprises

By Porter Anderson, Editor-in-Chief | @Porter_Anderson

Five Productions in the Works
Dr. Seuss Enterprises and Netflix are in development on five Seuss titles, planned for preschool-audience animated series and specials.

In an interesting parallel, Kristen McLean at NPD has reported in the last week on the boosted-sales effect of books you might think were banned into obscurity.

As we reported last spring, Seuss Enterprises in March 2021 announced that it would cease publication of six lesser-known Dr. Seuss books because they “portray people in ways that are hurtful and wrong,” per the estate. “Ceasing sales of these books is only part of our commitment and our broader plan to ensure Dr. Seuss Enterprises’ catalogue represents and supports all communities and families,” the estate wrote.

As McLean notes, the statement went out during Dr. Seuss Week, which coincides with Theodor Geisel’s birthday on March 2. “The news had a significant effect on the sales volume for Dr. Seuss titles,” McLean reports, “as consumers reacted to a perceived ‘cancellation’ of Dr. Seuss generally.

“The net effect was a major boost for juvenile fiction across the entire month of March, which sold more than 10 million additional units, compared to February 2021.”

And in an age of book bannings, it will be interesting to see what sort of market impact the new animated Seuss cinematic and television work might have.

Executive producer Dustin Ferrer (Esme & Roy, Shimmer & Shine, Daniel Tiger’s Neighborhood) is to be showrunner across all five productions, and additional showrunners are expected to be announced in coming weeks.  This suite of productions expands the partnership between Netflix and Dr. Seuss Enterprises beyond the launch of the animated series Green Eggs and Ham in 2019, the second season of which was released in April.

The new Dr. Seuss line-up is to anchor Netflix’s expanded focus on preschool, the estate says. “Introducing concepts of foundational learning, this new slate of programming will explore themes of diversity and respect for others,” the company says, clearly looking to counter the less felicitous impressions left when it took those six titles out of circulation.

Shows Planned With Netflix
  • One Fish, Two Fish, Red Fish, Blue Fish
    Logline: This series follows the adventures of two loveable fish who are different in every way. Red and Blue consistently find themselves in comedic situations that allow them to introduce oppositional vocabulary to our preschool viewers.
    Format: Series, 7-min eps and 2-min music videos
    Animation: 2D
  • The Sneetches
    Logline: As long as there have been Sneetches on beaches, the Star-Bellies and Moon-Bellies have lived separate lives. But when two young Sneetches form an unlikely friendship, they teach their communities that differences don’t need to be avoided, they can be celebrated.
    Format: 45-min special
    Animation: 3D
  • Wacky Wednesday
    Logline: In an otherwise perfectly normal town, whenever Wednesday rolls around things suddenly get wacky! Luckily, the town has a ten-year-old Wacky Expert, who knows that humor inspires creativity and never fails to solve every wacky problem with an equally wacky solution.
    Format: Series, 11-min eps
    Animation: Mixed Media
  • Horton Hears a Who!
    Logline: This series follows a young Horton as he explores the Jungle of Nool with his two best friends: going on daring adventures, helping their community, and learning how to stand up for what’s fair.
    Format: Series, 11-min eps
    Animation: 3D
  • Thidwick The Big-Hearted Moose
    Logline: When a grumpy moose leader decides that he wants to be the happiest moose in the pack, he calls upon sweet Thidwick to help him. As this unlikely duo embarks on a comical adventure, Thidwick discovers that the key to happiness is being kind to others.
    Format: 45-min special
    Animation: 3D

In a prepared statement, Heather Tilert, director of preschool content for Netflix, is quoted, saying, “Netflix is a trusted home for characters kids love, and generations of kids love the characters imagined by Dr. Seuss. These beloved stories have been a core part of families’ libraries for many years and it gives me great pride that we’re bringing them to  our catalog of Netflix shows, in a fresh and modern way that resonates with audiences today.”

And Susan Brandt, president and CEO of Dr. Seuss Enterprises, is quoted, saying, “Dr. Seuss Enterprises is proud of the collaborative relationship we share with Netflix.

“We’re always looking for new and engaging ways to share our stories, characters and messages with the next generation of fans, and Netflix has a unique ability to create original, delightful adaptations of our timeless classics with an emphasis on imagination, fun, and education. Our partnership has been very prosperous thus far with our award-winning animated series Green Eggs and Ham. We hope to continue that success with our upcoming projects.”

More from Publishing Perspectives on licensing is hereMore on the United States market is here, more on the NPD Group’s reports is here and more from Publishing Perspectives on political books is here. More from us on industry statistics is here.

More on the coronavirus COVID-19 pandemic and its impact on international book publishing is here

About the Author

Porter Anderson

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Porter Anderson has been named International Trade Press Journalist of the Year in London Book Fair's International Excellence Awards. He is Editor-in-Chief of Publishing Perspectives. He formerly was Associate Editor for The FutureBook at London's The Bookseller. Anderson was for more than a decade a senior producer and anchor with, CNN International, and CNN USA. As an arts critic (Fellow, National Critics Institute), he was with The Village Voice, the Dallas Times Herald, and the Tampa Tribune, now the Tampa Bay Times. He co-founded The Hot Sheet, a newsletter for authors, which now is owned and operated by Jane Friedman.