Leipzig Book Fair Postpones Its 2023 Dates From March to April

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‘In order to enable the greatest possible planning security,’ organizers say, the 2023 Leipzig Book Fair will be delayed by a month, to April.

An event in the 2019 edition of Leipzig Book Fair. Image: LBM

By Porter Anderson, Editor-in-Chief | @Porter_Anderson

Zille: ‘We All Want This Book Fair’
To the surprise of some in the world industry, Leipzig Book Fair today (May 16) has announced a postponement of its 2023 edition, from the anticipated late March dates to a bit over a month later, April 27 to 30.

This is the second schedule change the fair’s administration has gone through in some three months. Publishing Perspectives readers will recall an even more dramatic turnaround made by Leipzig’s leadership team this year, announcing on February 9 that “imponderables of the pandemic” and staff shortages had led to an outright cancellation.

That was the third time that the Leipzig fair administration—caught as it was in the brunt of the 2020 spring outbreaks—had made the decision to cancel the show.

Oliver Zille

Oliver Zille, Leipzig’s fair director, is quoted today, saying, “This year’s cancellation triggered a real storm in the book industry, which showed us one thing: we all want this book fair, we need this meeting place for the book and media world—but the pandemic remains unpredictable.

“Despite this imponderability, in order to enable the greatest possible planning security, we are postponing the Leipzig Book Fair next year to the end of April.”

While details of the decision-making process behind the Leipzig decision are unclear, it strikes some observers as a move made rather early at a time when so many such major many book fairs, trade shows, and festivals are getting back onto their feet as in-person events.

Certainly, that’s the case this week here in Israel, where many members of publishing’s leadership are personally attending the Jerusalem International Book Forum, several of them saying the news from Leipzig has come as a surprise.

While Jerusalem’s ongoing forum through Wednesday (May 18) is an industry-facing event, Sharjah Book Authority’s new Booksellers Conference in the United Arab Emirates has just been held (May 15 and 16), the upcoming Abu Dhabi International Book Fair (May 23 to 29) is public-facing, as is the Torino International Book Fair (May 19 to 23).

Registration for the Leipzig fair is expected to begin in August, when main themes for the program are to be announced. And in 2024, the fair’s administration has said that it intends to return to its dates structure in March.

In data on its performance in 2019, the Leipzig fair cites having 2,500 exhibitors from 46 nations drawing 286,000 visitors, making it easy to tell how important the show is to German publishers and other exhibitors.

Statistics provided with today’s news indicate that Leipzig Messe, the fairgrounds, “comprise an exhibition area of 111,900 square meters and an open-air exhibition area of 70,000 square meters.

“Every year, around 270 events take place–from trade fairs to exhibitions and congresses—with more than 15,500 exhibitors and more than 1.2 million visitors from all over the world.


More from Publishing Perspectives on the Leipzig Book Fair is here, more on publishing’s trade shows, book fairs, and festivals is here, and more on the German book market is here. 

Publishing Perspectives is the world media partner for the International Publishers Association.

More on the coronavirus COVID-19 pandemic and its impact on international book publishing is here

About the Author

Porter Anderson

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Porter Anderson is a non-resident fellow of Trends Research & Advisory, and he has been named International Trade Press Journalist of the Year in London Book Fair's International Excellence Awards. He is Editor-in-Chief of Publishing Perspectives. He formerly was Associate Editor for The FutureBook at London's The Bookseller. Anderson was for more than a decade a senior producer and anchor with CNN.com, CNN International, and CNN USA. As an arts critic (National Critics Institute), he was with The Village Voice, the Dallas Times Herald, and the Tampa Tribune, now the Tampa Bay Times. He co-founded The Hot Sheet, a newsletter for authors, which now is owned and operated by Jane Friedman.

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