Copyright: The UAE Opens Its First Reprographic Rights Agency

In News by Porter Anderson

The Emirates’ new reprographic rights organization bolsters copyright protection for ‘the UAE’s digital economy,’ says Bodour Al Qasimi.

At the opening ceremony for the new Emirates Reprographic Rights Management Association, ERRA, Bodour Al Qasimi and board members. Behind them is ‘The Scroll,’ Garry Judah’s sculpture created for the opening of the House of Wisdom in Sharjah. Image: Nabs Ahmedi

By Porter Anderson, Editor-in-Chief | @Porter_Anderson

First RRO in the Region
The United Arab Emirates has opened its first reprographic rights management association, this month, in a ceremony at Sharjah’s House of Wisdom—the technologically advanced library and learning-center complex opened by Sheikh Sultan in 2020 at the conclusion of Sharjah’s term as UNESCO’s World Book Capital.

In a special program on March 6, International Publishers Association (IPA) president Bodour Al Qasimi led the consecration of ERRA, the Emirates Reprographic Rights Management Association, with the nation’s ministers of economy and culture on-hand. This arrival of the region’s first such organization is seen as a major step in the effort to protect the copyrights of content creators and to safeguard the rights of authors and publishers.

The creation of such a reprographic rights organization as ERRA can be instrumental as a framework to promoting, guiding, and executing legislation and laws that protect the intellectual property of publishers, author, and other creative workers.

Al Qasimi: ‘A Growing Dependence on Intangible Assets’

In her comments at the ERRA opening, Al Qasimi—the founding publisher of the Kalimat Group and patron of the Emirates Publishers Association—said, “We are proud to launch the pioneering Emirates Reprographic Rights Management Association, a first-of-its kind initiative in the region that bolsters the position and role of the UAE in stimulating and encouraging creative industries as a fundamental pillar of the modern economy.

Bodour Al Qasimi at the ERRA ceremony in Sharjah. Image: Nabs Ahmedi

“The launch also reflects a growing dependence on intangible assets or intellectual capital, as exemplified by the rapid expansion of the cultural and creative industries in the UAE’s digital economy.”

Bodour is serving as honorary president of the new Emirates Reprographic Rights Management Association.

Abdulla Bin Touq Al Marri, the UAE’s economic minister, said, “We thank Bodour Al Qasimi for establishing and launching this association, and for her ongoing efforts and pioneering initiatives that foster the development of knowledge, culture, and a creative environment in Sharjah and the UAE.

“Under the forward-looking vision of wise leadership, the UAE has focused on building a knowledge-based economy and is developing its legislative ecosystem to create the best society and economy, as well as become the best destination for trade, businesses, investments, talents, and creative people.”

And in her comments, Noura Al Kaabi, the UAE’s minister of culture and youth,  called the advent of the Emirates Reprographic Rights Management Association another significant achievement for the creative community in the UAE.

“Sharjah has always highlighted the power of books as the key driving force behind its cultural accomplishments,” Al Kaabi said, “and in nurturing young creative generations capable of representing their country globally.

“When we see Bodour Al Qasimi lead the ERRA, it makes us optimistic about the future of the publishing industry in the UAE. Her inspiring legacy is felt not only at the local level, but also at the international level where, as president of IPA, she has spearheaded an array of tangible achievements in the publishing sector and the book industry in many countries around the world.”

A video carried messages to the event from the World Intellectual Property Organization (WIPO) and the International Federation of Reproduction Rights Organizations (IFRRO), congratulating the UAE on the creation of its first reprographic rights organization.

Reprographic Rights Organizations

At the opening ceremony for the Emirates Reprographic Rights Management Association, Bodour Al Qasimi, center, with UAE economic minister Abdulla Bin Touq Al Marri; cultural and youth minister Noura Al Kaabi; and community development minister Hessa Bint Essa Buhumaid. Image: Nabs Ahmedi

Reprographic or reproduction rights organizations may be among the least familiar parts of the world copyright community for laypeople. Even in publishing circles, there are many who aren’t well-versed in what these agencies are and do. Those in educational publishing are likelier to be aware of them because educational settings can be in many cases the ones in which reproduction of content is most common.

Reprography—facsimile reproduction, such as photocopying—is among the most common forms of reproduction that’s at issue for publishers and authors. In addition to RROs, another type of agency, CCMOs, or collective copyright management organizations, may also be in play when it comes to collecting the copyright fees that must be paid to publishers and/or authors when their copyrighted content is copied.

Reprographic rights organizations—called RROs in the acronym-laden intellectual property industry—are mandated to collectively manage copyright protection of content either through voluntary private agreements (in which a publisher might arrange such services) or as a result of a legal licensing system created by local law.

The new Emirates Reprographic Rights Association’s approach is expected to monitor the re-use of print and digital works in schools, universities, copy and print centers as well as at public libraries, in collaboration with relevant government entities including the ministries of economy and education, the UAE’s National Media Council (NMC), statistic centers across the country.

Al Qasimi recognized members of the UAE’s leadership who have been instrumental in creating the new association in addition to Al Kaaba and Al Marri:

  • Majd Al Shehhi, director of ERRA
  • Rawan Al-Dabbas, regional director of the International Federation of the Phonographic Industry (IFPI ) for the Middle East and North Africa
  • Fawzi Abdulaziz Al Jaberi, director of the intellectual property department at the ministry of the economy
  • Abdelrahman Al Muaini, director of the organizational development office with the Dubai police
  • Hoda Barakat, lawyer and legal consultant
  • Fatima Al Hosani, director of the trademarks and intellectual works department at the ministry of the economy
  • Shaima Nasser Al Aqel, international organizations executive at the ministry of the economy

The board of the new association comprises Alyazia Khalifa, president; Afra Atiq, vice-president; Majd Al Shehhi, director; Abdelrahman Al Muaini, secretary; Ali Bin Hatem, board member; and Saleha Obaid, treasurer.

More from Publishing Perspectives on copyright is here, more on reprographic rights organizations is here, and more on the United Arab Emirates is here.

Publishing Perspectives is the world media partner of the International Publishers Association.

More from us on the coronavirus COVID-19 pandemic and its impact on international book publishing is here.

About the Author

Porter Anderson

Facebook Twitter

Porter Anderson has been named International Trade Press Journalist of the Year in London Book Fair's International Excellence Awards. He is Editor-in-Chief of Publishing Perspectives. He formerly was Associate Editor for The FutureBook at London's The Bookseller. Anderson was for more than a decade a senior producer and anchor with, CNN International, and CNN USA. As an arts critic (Fellow, National Critics Institute), he was with The Village Voice, the Dallas Times Herald, and the Tampa Tribune, now the Tampa Bay Times. He co-founded The Hot Sheet, a newsletter for authors, which now is owned and operated by Jane Friedman.