Authors, Illustrators Pressure the UK Government on Copyright

In News by Porter Anderson

‘This letter is a clear and urgent call,’ writes the Publishers Association’s Stephen Lotinga as 2,661 authors, illustrators, and translators question London’s consultation on post-Brexit copyright.

On Regent’s Canal in King’s Cross, a shot from August 20, 2020. Image – Getty iStockphoto: VV Shots

By Porter Anderson, Editor-in-Chief | @Porter_Anderson

‘Support Copyright for Authors and Publishers’
A brace of 2,661 signatories whose names appear today (August 1) in an open letter to the editor in London’s Sunday Times includes such icons as playwright Alan Ayckbourn, the Nobel laureate Kazuo Ishiguro (just longlisted for a Booker for Klara and the Sun); Royal Society of Literature fellow Philip Pullman;  Scotland’s William Boyd; the translator Simon Bruni; and Hilary Mantel. They and their associates are stepping forward to get the attention of the UK government amid its “reconsideration” of the United Kingdom’s post-Brexit approach to copyright and trade.

On June 7, as Publishing Perspectives readers will recall, we reported on the rollout of a #SaveOurBooks awareness campaign in the United Kingdom. The Publishers Association, the Society of Authors, the Association of Authors’ Agents, and the Authors’ Licensing and Collecting Society were raising the alarm that the Boris Johnson government’s Intellectual Property Office had launched a consultation.

The Publishers Association wrote to news outlets then that the exercise “considers a weakening of copyright rules crucial for exporting books around the world and ensuring that UK authors benefit financially from those sales.”

Concern since early June clearly has escalated, leading to the publication today with the participation of Bernardine Evaristo; Kamila Shamsie; Peter James; Cressida Cowell; Maggie O’Farrell; David Nicholls; Adele Parks; Adam Kay; Meg Rosoff; Peter Ackroyd; Antonia Fraser; Reni Eddo-Lodge; and Axel Scheffler.

In a PDF copy provided to us, the letter with its three columns of signatures runs to 29 pages, and it’s addressed to member of parliament Kwasi Kwarteng, who is secretary of state for business, energy, and industrial strategy.

“The Intellectual Property Office,” the letter says, “is currently consulting on the UK’s future exhaustion regime. If they decide to introduce an international exhaustion framework, authors will be unable to limit foreign editions of their books being sold into the UK—undercutting their domestic sales.”

Stephen Lotinga

Stephen Lotinga

And in a statement today on the release of the letter, Publishers Association CEO Stephen Lotinga says, “This letter is a clear and urgent call from authors to avoid an outcome that weakens our copyright laws.

“Britain is a world leader in publishing and currently exports more books than any other country in the world.

“The wrong outcome would jeopardize the whole books industry and vandalize the UK’s cultural landscape. It would mean fewer books, by fewer authors, for fewer readers.

“We urge the government to Save Our Books.”

The ‘Exhaustion Regime’ Issue

Reading at the Highbury & Islington Station, London, January 22. Image – Getty iStockphoto: Joshua Sher

As Liam Kelly writes in the Times today about the letter, “Before Brexit, Britain was part of the EU’s copyright agreement, which meant that books could be sold freely in Europe, but that when they were sold outside the bloc they could not be reimported to the domestic market.”

“The wrong outcome would jeopardize the whole books industry and vandalize the UK’s cultural landscape.”Stephen Lotinga, Publishers Association

Today’s media messaging from Lotinga’s offices around the letter in the Times warns that if the Intellectual Property Office consultation “decides to remove any copyright border for parallel imports into the UK in what is termed an ‘international exhaustion regime,’ authors will not be able to stop copies of their books from around the world being sold in the UK.”

The country’s exhaustion regime determines “parallel imports” of protected property into the United Kingdom. Currently, that regime allows UK authors and publishers “to price appropriately for international markets,” the Publishers Association says, “and stops the unauthorized importing of international copies of books into the UK.”

The publishing industry signals that editions of books from offshore legally could get into the UK’s domestic market and essentially walk away with home-turf revenues. “This will erode domestic sales where the majority of UK author income comes from,” as the association puts it. “In light of the difficulties authors have faced throughout the COVID-19 pandemic, this would be disastrous. If the government introduces the wrong framework, this decision could:

  • “Significantly harm author incomes
  • “Prompt a relocation of publishing away from the UK
  • “Further support online retail giants and damage the already suffering British high street”

When the Intellectual Property Office review was opened, it described the post-Brexit moment, saying, “While parallel importation of goods that have been first sold in other European Economic Area countries is currently permitted, it is right to examine whether these current arrangements best serve the UK’s interests.”  The government also has posted a 15-minute webinar on the matter here.

Today’s letter has been run in the Times to coincide with the one-month point in the consultation period, which closes August 31.

On social media, the campaign is running at @SaveOurBooksUK and at hashtag #SaveOurBooksThe campaign site includes a lookup for UK citizens to use in writing to their members of parliament.

More from Publishing Perspectives on copyright issues and trends is here, more on the United Kingdom’s market is here, more on Brexit is here, more on Europe is here, and more on the UK’s Publishers Association is here.

More from us on the coronavirus COVID-19 pandemic and its impact on international book publishing is here

About the Author

Porter Anderson

Facebook Twitter

Porter Anderson has been named International Trade Press Journalist of the Year in London Book Fair's International Excellence Awards. He is Editor-in-Chief of Publishing Perspectives. He formerly was Associate Editor for The FutureBook at London's The Bookseller. Anderson was for more than a decade a senior producer and anchor with, CNN International, and CNN USA. As an arts critic (Fellow, National Critics Institute), he was with The Village Voice, the Dallas Times Herald, and the Tampa Tribune, now the Tampa Bay Times. He co-founded The Hot Sheet, a newsletter for authors, which now is owned and operated by Jane Friedman.