German Nonfiction Prize Has Entries From 135 Publishers for Its First Round

In News by Porter Anderson

Publishers in Austria, Switzerland, and Germany have submitted more than 200 nonfiction titles for the 2021 German Nonfiction Prize—the program’s COVID-delayed first edition.

A skier on December 29 at Schladming in Austria – one of the three markets sending titles to the German Nonfiction Prize jury for the competition. Image – iStockphoto: Dietmar Rauscher

By Porter Anderson, Editor-in-Chief | @Porter_Anderson

Publishers Submit 220 Titles
As Publishing Perspectives readers will remember, the German Nonfiction Prize was created in May 2019 by the Börsenverein des Deutschen Buchhandels—Germany’s publishers and booksellers association—but has yet to be awarded. It has been warmly awaited, however, not least because a criterion of its honor is that the winning title is not only to be a work of nonfiction written in German but one that “inspires social debate.”

Our regular readers will note how this echoes the stated mission of the also-young Aspen Words Literary Prize, which looks for writings of cultural relevance, content that “addresses questions of violence, inequality, gender, the environment, immigration, religion, racism or other social issues.”

It’s interesting that newly created awards are being mandated not just to find beautiful prose or fine storytelling but—more importantly and by priority—work that means something to the moment in which we live, in the Aspen instance in fiction, and in this German prize, in nonfiction.

This lifts an award program above the considerations of what a win might do for a book’s sales marketing profile and creates for a jury a task well beyond getting stickers onto winning book covers.

The German Nonfiction Prize had attracted 240 submissions from 152 publishers this year for its planned 2020 debut, but the intervention of the coronavirus COVID-19 pandemic made it impossible to go on with the program’s first year. The effort to inaugurate the German Nonfiction Prize was “broken off prematurely,” as the organizers put it, and now has been restarted with the expectation that its first laureate can be celebrated on June 14.

Today (January 12), the prize’s organizers have announced that the 2021 cycle has drawn almost as many entries as its intended year did. A total 135 publishers from Germany, Austria, and Switzerland have submitted 220 titles into competition.

Those publishers making their submissions from German-language territories break down this way:

  • Germany is home to 115 of the publishers
  • Switzerland is the base for 12 of the submitting publishers
  • Austria is the seat of eight of these publishers

Each publisher was allowed to submit a maximum of two monographs—published or to be published between May 2020 and April 2021—when the nominations will be announced.

In addition, each publishing company was allowed to recommend up to five further titles from its program. This list of recommendations comprises 184 titles. The jury for the German Non-Fiction Prize may request additional titles from this list.

At stake is a handsome prize. The Stiftung Buchkultur und Leseförderung des Börsenvereins des Deutschen Buchhandels (the Foundation for Book Culture and the Promotion of Reading of the Börsenverein) will award a total of €42,500 (US$51,687).

The winner is to receive €25,000, the seven nominees €2,500 each.

Kia Vahland Leads the 2021 Jury

Kia Vahland. Image: Alessandra Schellnegger

In early November, as we’ve reported, a new jury was named for the 2021 awards, appointed by the Akademie Deutscher Sachbuchpreis:

  • Klaus Kowalke of Lessing & Kompanie, a bookstore
  • Tania Martini, Die Tageszeitung
  • Jeanne Rubner, Bayerischer Rundfunk
  • Denis Scheck, ARD
  • Hilal Sezgin, independent author
  • Barbara Stollberg-Rilinger, Wissenschaftskolleg zu Berlin, the Berlin Institute for Advanced Study
  • Kia Vahland, Süddeutsche Zeitung

Vahland has been selected by the panel to serve as its spokesperson.

The winning title is selected through a two-part process.

  • First, an independent jury compiles a list of nominations comprising eight titles, which will be announced on April 20.
  • From this selection, the members of the jury will then choose the nonfiction book of the year.
  • The winner will be announced at the ceremony in June

Deutsche Bank Stiftung (Deutsche Bank Foundation) is the main sponsor of the prize, which is also supported by the technology and information provider MVB and the Stiftung Humboldt Forum im Berliner Schloss (Humboldt Forum Foundation in the Berlin Palace).

The minister of state for culture Monika Grütters is patron of the German Nonfiction Prize.

More from Publishing Perspectives on the German Nonfiction Prize is here, and on publishing and book awards in general is here. More on the German market is here, and more from us on the coronavirus COVID-19 pandemic and its impact on international book publishing is here.

About the Author

Porter Anderson

Facebook Twitter

Porter Anderson has been named International Trade Press Journalist of the Year in London Book Fair's International Excellence Awards. He is Editor-in-Chief of Publishing Perspectives. He formerly was Associate Editor for The FutureBook at London's The Bookseller. Anderson was for more than a decade a senior producer and anchor with, CNN International, and CNN USA. As an arts critic (Fellow, National Critics Institute), he was with The Village Voice, the Dallas Times Herald, and the Tampa Tribune, now the Tampa Bay Times. He co-founded The Hot Sheet, a newsletter for authors, which now is owned and operated by Jane Friedman.