Bookwire Issues Coronavirus ‘Barometer’ on Audiobook Sales in Germany, Austria, Switzerland

In News by Porter Anderson

Has the pandemic accelerated lasting digital adoption among readers? Bookwire offers an early look at ebook and audiobook sales in three markets this year.

Image: ‘COVID-19 Special Edition Bookwire Insights Report’

By Porter Anderson, Editor-in-Chief | @Porter_Anderson

Digital Tea Leaves
In a project using data from the German ebook distributor and aggregator Bookwire, the Vienna-based consultant Rüdiger Wischenbart has made another of his periodic looks at consumer behavior as part of his “Digital Consumer Book Barometer” series. This one is focused on the German, Austrian, and Swiss markets during the early months of the still ongoing coronavirus COVID-19 pandemic.

Bookwire is a regular sponsor of Wischenbart’s “Barometer” analysis, as well as of his Global Ebook series. The distributor’s Svenja Rohr gathered the numbers from Bookwire’s market data and Rosa Egg made the graphics for what’s called a “Bookwire Insights Report.”

If anything, the effort, while certainly interesting, may be as premature as the unmasked  exhibition tennis matches staged in June by Novak Djokovic in Belgrade. Those matches resulted in at least a dozen infections of world-class players, their staff members, and loved ones. And the new report from Wischenbart and Bookwire has arrived just as Soo Kim at Newsweek and others report on new upswings in the pathogen’s progress in Europe, including Thursday’s (August 13) jump of 1,419 new cases in Germany recorded by Worldometer—prompting strong warnings from the country’s health minister, Jens Spahn.

Nevertheless, even as an early assessment, the new COVID-19 edition of Wischenbart’s series for the German-language markets this week is interesting in the context of a key question in world publishing today: how much lasting impact could the pandemic’s consumer patterns have on digital adoption in the long term?

The images provided follow a span of weeks No. 6 to 24 in the first half of 2020. In the visual seen at the top of our story, what’s indicated is that after the period of lockdown (seemingly the same in all three countries), ebook sales remained for some weeks at a higher level than before the lockdowns.

But below, in a look at how “strong marketing campaigns” were seen doing well against the backdrop of the pandemic (the large central squarish section), we don’t know what campaigns are referred to, nor which publishers created them in which country.

Image: ‘COVID-19 Special Edition Bookwire Insights Report’

Observation vs. Prediction

While it’s easily understood that there should be a jump seen in digital consumption at times when physical bookstores are shuttered and print literature is quarantined even in reopened shops, the question that cannot yet be answered is an intriguing one: Will a typical print reader who dives into ebooks and/or audiobooks for virus-era safety stick with those formats in our presumably vaccinated future?

In a bit of discussion, Wischenbart points out that “gains in content for younger audiences” provided “the most spectacular trend accelerated by the pandemic and the lockdown.”

He sees “huge promise” in gains of between 16 and 65 percent in the field.

As we know, however, parents working from home found themselves not only needy of educational material for their younglings but also of entertainment to try to maintain a rational homelife. Once educational norms return—alas something that in many markets is proving very hard to achieve—it’s hard to say that “huge promise” will be fulfilled by what’s been observed so far.

And on the main, the younger reader (herself and/or her parents) has been traditionally a tougher sell for digital than adults. Will the pandemic’s challenges have changed this?

Image: ‘COVID-19 Special Edition Bookwire Insights Report’

Six Talking Points

Wischenbart tries to sort out six top-level observations.

  • His first of the six is “Ebooks have a much higher potential for growth impulses than what has been discussed in recent years.” While it’s not entirely clear what a “growth impulse” may be, we know that the pandemic’s influence is a mercifully unusual one. Only time might tell if the situation peculiar to a lockdown can be seen to mean that there’s more potential for growth in healthier times. Because we all need to wear masks at the moment, does that demonstrate that there will be higher potential for them on the market after the contagion’s worst ravages?
  • Secondly, Wischenbart points to an interesting trend: Gains seem to have been widely spread in terms of category and genre, not limited to the romance or mystery cores that at times seem to lead digital reading in some of the major markets.
  • Audiobooks in particular have huge potential for growth, he proposes. In the biggest audio market, that of the United States, less than 10 percent of the trade is in audio, despite the excitement around the medium’s growth. Certainly in the extraordinary event of a lethal pandemic, more room for growth can be expected.
  • Wischenbart seems correct on this point: “Successfully pushing genre categories requires strong, precisely targeted and coordinated marketing campaigns by publishers and retail in tandem. This applies to both ebooks and audiobooks.” Further adoption of these formats, he seems to say, may not occur all by itself, perhaps even in times of unusual constraint.
  • “The scope of achievable gains from such campaigns is outstanding,” he writes hopefully. May he be correct.
  • “In case of audiobooks,” he writes, “consumption in flat-price subscription models appears to be a much more sustainable growth bringer than download sales.” Per our coverage of Jonas Tellander’s commentary from the subscription power Storytel this week, however, note that even Storytel is uncertain of where new subscribers will go, once clear of the conditions of the pandemic.

Here is the graphic from Egg and Wischenbart on the question of flat-rate subscriptions tracked by Bookwire in Austria, Switzerland, and Germany by comparison to one-by-one downloading models.

Image: ‘COVID-19 Special Edition Bookwire Insights Report’

Numbers vs. Visuals

Some of the better material here comes not from charts but from some discussion late in the 15-page report that gives us a couple of key numbers, perhaps indicating that there are times when our love of charts and graphs isn’t as helpful as a few straightforward figures.

  • In ebooks, “The biggest short-term increase was seen in the juvenile and YA categories from pre-lockdown to the immediate lockdown peak genre category with a rise of 100 percent in value (revenue from download sales) and 115 percent in volume (downloaded copies), probably triggered by the closure of schools and kindergartens. “
  • “Marketing campaigns [again in ebooks] driven by temporarily reduced prices became hugely popular, with 213-percent more of such events in March against February, and yet another increase of  61 percent in the number of campaigns in April against March.”
  • In audiobooks, “Download peaks were particularly high in week 12, at the beginning of the lockdown … The push driven by the combined forces of lockdown and marketing campaigns resulted in around 25 percent or more downloads even after the end of lockdown—which was also favored by the start of another impactful marketing campaign in week 20.”
  • “The number of consumption in flat subscription models of audiobooks showed average growth of 28 percent from pre-lockdown to the lockdown period, which continued during lockdown (weeks 12 to 18) at 23 percent. After the lockdown period, the highest number of audiobooks consumed in flat subscription models at any given time has been recorded. The increase flattened, yet stayed at high levels.”
The Fog of a Public Health War

Ultimately, the Bookwire-Wischenbart report (PDF) is a welcome look at what can be seen in three markets as tracked by one distributor, even if (no one’s fault) we just don’t know what implications are here for the post-pandemic world we all long to reach.

The question of digital adoption and its possible acceleration during the emergency is a tantalizing one, certainly. But we’d do well to look at the kind of observations an exercise like this can provide without rushing to say what they indicate.

Our good colleague Andrew Albanese of Publishers Weekly puts this well today (August 14) in his weekly commentary with Christopher Kenneally at Copyright Clearance Center’s Beyond the Book. “While publishers have put a thumb on the scale of digital sales to boost print,” Albanese says, “and of course to preserve jobs and bookstores and a longstanding book culture, in fact the efficiency and the profit margins for digital products are much better.

“This has always been the tradeoff with digital—smaller revenues, bigger earnings. Whether or not this changes the industry’s outlook for the future, we’ll just have to see.”

And there are few things more singular in modern history than the playout of the deadly coronavirus COVID-19 world pandemic.

To know what impact it may have, as Albanese says, “we’ll just have to see.”

More from us on publishing statistics is here. More on Bookwire is here, more on audiobooks is here, more on digital publishing is here, and more from us on the coronavirus COVID-19 pandemic and its impact on international book publishing is here and at the CORONAVIRUS tab at the top of each page of our site.

About the Author

Porter Anderson

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Porter Anderson has been named International Trade Press Journalist of the Year in London Book Fair's International Excellence Awards. He is Editor-in-Chief of Publishing Perspectives. He formerly was Associate Editor for The FutureBook at London's The Bookseller. Anderson was for more than a decade a senior producer and anchor with, CNN International, and CNN USA. As an arts critic (Fellow, National Critics Institute), he was with The Village Voice, the Dallas Times Herald, and the Tampa Tribune, now the Tampa Bay Times. He co-founded The Hot Sheet, a newsletter for authors, which now is owned and operated by Jane Friedman.