London Book Fair Announces an ‘Audio HQ’ Area and Conference

In News by Porter Anderson

A March 10 half-day ‘Audio HQ’ conference will open London Book Fair in the show’s new audio-specific exhibition area at Olympia London.

An audiobook consumer in London, where the first ‘Audio HQ’ conference opens the trade show this year on March 10. Image – iStockphoto: Chalabala

By Porter Anderson, Editor-in-Chief | @Porter_Anderson

‘The Audiobook Success Story’
Organizers of London Book Fair today (February 5) are announcing the addition to their program of an “Audio HQ summit” on the trade show’s opening day, March 10.

The naming convention follows that of London’s “Author HQ” area and programming for primarily self-publishing authors.

And while the Quantum conference (successor to the “Digital Minds” series) is not being staged this year as a curtain-raiser to the fair, the branding lives on: the Audio HQ summit is a half-day conference that will open with Nielsen Book Research’s Jaclyn Swope in what’s billed as a “Quantum Talk”—an overview of data points around the UK’s audiobook market in 2020.

Michele Cobb

With that Nielsen session as the opener to the Audio HQ event at 9:45 a.m., the March 10 program then follows with:

  • 10:15 to 11 a.m.: “Finding your Perfect Voice: The Challenges in Audio Casting,” Dan Zitt, senior vice-president of content production with Penguin Random House USA
  • 11 to 11:45 a.m.: “The Subscription Economy in the Publishing Sector,” with Spain’s Javier Celaya of Dosdoce
  • 12 to 12:45: “Who Is Commissioning Audio, What Are the Opportunities, and Where Are the Audiences?” with speakers to include Videl Bar Kar of Bookwire
  • 1 to 1:45 p.m. “Audiobook Growth: The Story Continues” with Michele Cobb, executive director with the Audio Publishers Association in the States

In a prepared statement, London Book Fair director Jacks Thomas is quoted, saying, “Audio’s double-digit growth over the past few years is another example of where technology and the craft of storytelling have come together to great effect.

Jacks Thomas

“Audiobooks have expanded the reach of books, bringing in new book consumers and providing another format for regular literary lovers to enjoy.

“This audio summit is a chance to get under the skin of key areas of the audiobook success story from subscription models to the expansion of new audio content.”

Thomas points out that the programing will include audiobook players from the United States—where the most recent StatShot report from the Association of American Publishers indicates that downloaded audio accounted for 7.9 percent of the market in November 2019.

Programming for the new audio conference will include Zitt and Cobb from the States, Thomas says, “as the American market has led the way in the audio revolution, and I can’t wait to hear what is next for this exciting format.”

Publishing Perspectives readers will recall that last year, Thomas and several others from the London fair took a first-time “CAMEOs USA” program to the sidelines of BookExpo in New York, producing an award for the audiobook edition of Anna Burns’ Booker-winning Milkman.

In addition, Frankfurter Buchmesse in October created its own new “Frankfurt Audio” exhibition area and “Audio Summit” conference event, as the London fair now is doing.

And in London, The Bookseller’s annual FutureBook conference has featured a full track of audio-specific content for several years, as the industry’s fondness has grown for the format—rediscovered by consumers since it was liberated from tapes and CDs by digital downloads.

The new Audio HQ conference at London Book Fair will be open to all fair attendees.

Audio-related programming will also be featured in the three-day Insights Seminar series of events directed by the fair’s Orna O’Brien.


More from Publishing Perspectives on London Book Fair is here, and more from us on audiobooks is here.

About the Author

Porter Anderson

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Porter Anderson has been named International Trade Press Journalist of the Year in London Book Fair's 2019 International Excellence Awards. He is Editor-in-Chief of Publishing Perspectives. He co-founded The Hot Sheet, a newsletter for trade and indie authors, which now is owned and operated by Jane Friedman. He formerly was Associate Editor for The FutureBook at London's The Bookseller. Anderson also has worked as a senior producer, editor, and anchor with CNN.com, CNN International, and CNN USA, and as an arts critic (National Critics Institute) with The Village Voice and Dallas Times Herald.