Singapore’s Asian Festival of Children’s Content Plans 10th Edition in September

In News by Porter Anderson

Themed this year on diversity, the program–unusual for its mix of professionals in the arts and educators with parents–has Myanmar as its country of focus, and includes an illustrators’ exhibition for the public.

A session in the 2018 Asian Festival of Children’s Content in Singapore on multi-cultural readers. Image: Singapore Book Council

By Porter Anderson, Editor-in-Chief | @Porter_Anderson
Diversity is the 10th Anniversary Festival Theme

Turning 10 this year, the Asian Festival of Children’s Content is again both an industry- and public-facing event with a strong emphasis on its four days of workshops, pitching sessions, master classes, lectures, and panels, September 5 to 8.

Myanmar has been announced the festival’s Country of Focus for this year, one aspect of the Singapore Book Council’s Bridging Borders: The SEA Lit Project initiative,

Some 70 events are being planned for the four days of the festival, and the programming is devised, organizers say, on three tracks (with ticket-purchase information on each site):

Philip Nel

And this is a program that’s not afraid to work with controversial material. The main festival lecture, for example, is to be given by Philip Nel on the subject “Why Adults Refuse to Admit Racist Content in the Children’s Books They Love.”

Nel, who teaches at Kansas State University, is the author of Was the Cat in the Hat Black?: The Hidden Racism of Children’s Literature and The Need for Diverse Books (Oxford University Press, 2017).

Sara Sargent

In another key session, Random House for Books executive editor Sara Sargent—who recently spoke in Berlin at Klopotek’s Publishers Forum directed by Rüdiger Wischenbart—will speak on “Current Trends in the Children’s Book Market.”

Sargent knows the topic as a leader in the trends-driven use of cultural clues for her rapid-response approach to developing YA content quickly for a shifting, media-paced market.

Some of the speakers–authors, translators, educators–being listed in media messaging from the Singapore Book Council include:

  • Cheeno Marlo Sayuno (Philippines), educator and author of The Magic Bahag, Si Tiya Salome and The Missing Blanket
  • Emily X.R. Pan (USA), first-time novelist of The Astonishing Color of After
  • Eva Wong Nava (Singapore), author of the award-winning book Open: A Boy’s Wayang Adventure, which focuses on autism
  • Hanna Alkaf (Malaysia), author of the debut YA novel, The Weight of Our Sky, which deals with racial riots in Malaysia in 1969
  • Helen Wang (UK), children’s book translator who won the Marsh Christian Award for Children’s Literature in Translation Award in 2017, and the Chen Bochui Special Contribution Award
  • 李木子Li Muzi  (Singapore), a drama educator who will conduct a Chinese-language workshop on using theatrical texts to teach literacy to preschoolers
  • Malarvele Ilangovan (Singapore), librarian and writer of five children’s books, on her journey of writing children’s stories in Tamil
  • Muhammad bin Kamit (Singapore), educator, in a workshop on creating “purposeful play” and bringing books to life in the outdoors
  • Soe Marlar (Myanmar and Singapore), academic and educator in narrative structures in Burmese folk tales
  • Weng Cahiles (Philippines), on her latest title Si Kian, a haunting book about children killed in the war on drugs in her country

One reason you see so much emphasis on diversity and inclusivity on the programming for the event is that the book council’s mandate includes a stated aim “to promote the creation, development and appreciation of quality Asian content for children and young adults.”

As the program’s descriptive material says, “The AFCC is a unique event in Asia that provides an opportunity for academics, writers, illustrators, editors, publishers, agents, distributors, parents, teachers, and librarians to meet, learn, hone their crafts, and develop cross-cultural collaborations.”

Returning this year is the Book Illustrators Gallery, one of the elements of programming the show uses to reach out to the community. “In line with AFCC’s theme of diversity,” organizers write, “the gallery’s collection of illustrations underlines the impact of visually representing stories to entice audiences to embrace an affinity for books, the stories within them and the cultures they represent.”

The illustration exhibition runs August 26 to September 14, and is located at the Central Public Library.

Guest illustrator for the program this year is Myanmar cartoonist Sai Parn Hein.

At the 2018 Illustrators Gallery during the Asian Festival of Children’s Content. Image: Singapore Book Council

More from Publishing Perspectives on the Asian Festival of Children’s Content in Singapore is here, more from us on Singapore and its publishing scene is here, and more on children’s books is here.

About the Author

Porter Anderson

Facebook Twitter

Porter Anderson has been named International Trade Press Journalist of the Year in London Book Fair's International Excellence Awards. He is Editor-in-Chief of Publishing Perspectives. He formerly was Associate Editor for The FutureBook at London's The Bookseller. Anderson was for more than a decade a senior producer and anchor with, CNN International, and CNN USA. As an arts critic (Fellow, National Critics Institute), he was with The Village Voice, the Dallas Times Herald, and the Tampa Tribune, now the Tampa Bay Times. He co-founded The Hot Sheet, a newsletter for authors, which now is owned and operated by Jane Friedman.