Stressing Local Publishers’ Importance at Sharjah’s Conference: Setzer, Al Hammadi

In News by Porter Anderson

As the lead voice of the IPA passes to a new president at Sharjah’s publishing conference, the UAE’s education minster echoes an emphasis on local publishers’ role.

Mexico City publisher Hugo Setzer, incoming president of the International Publishers Association, speaks on the second day of the Sharjah International Book Fair Publishers Conference. Image: Porter Anderson

By Porter Anderson, Editor-in-Chief | @Porter_Anderson

Stressing ‘Local Conditions’ at Sharjah
While on Monday, the Sharjah International Book Fair Publishers Program heard from the outgoing president of the International Publishers Association (IPA), Michiel Kolman—you can read about that address here—the second day of the program has been keynoted on Tuesday (October 30) by the incoming president of the IPA, Hugo Setzer.

As Publishing Perspectives has reported, it’s Sharjah’s  Sheikha Bodour bint Sultan Al Qasimi who succeeds Setzer as the new IPA vice president, putting her in line to become, in 2021, the organization’s second female president in more than half a century and the first Arab woman to reach the leadership of the association.

Taking as his theme “building bridges and working together,” Setzer talked of the industry being made up of “many parts that, while not broken, are distinct and potentially isolated.”

Setzer pointed out that while international engagement is increasingly important for publishers, a local focus mustn’t be sacrificed in the process. These comments complemented the remarks to come from panelists and from the morning’s special guest, the UAE education minister, Hussain Ibrahim Al Hammadi.

Al Hammadi told the assembly of several hundred delegates to this year’s Sharjah professional program, “We seek to empower the new generation with reading.”

The UAE’s education minister, Hussain Ibrahim Al Hammadi Image: Porter Anderson

Success, Hammadi said, would be driven by how ready and willing the region’s book industry might be to step up to the moment: “We depend on the content provided by publishers.”

This is a line of discussion Setzer knows well, as CEO of Manual Moderno, a Mexico City educational publisher.

“Our publishing industries often function along national or even regional lines,” he said, “reflecting the cultural differences of each place and showing off the creative diversity of our planet. Some companies are able to span many markets but even they recognize the need to adapt their publications for the local audience.

“Local conditions also affect the way publishers work from country to country and the way markets develop.”

Local publishers’ associations, he said, are key to this development, not only playing a role in international outreach but also in connecting with national policymakers, as the Emirates Publishers Association (EPA) has done, he said.

In Mexico City, Setzer said, “Our local association was founded in 1964 [and] I’ve witnessed the key role the association has played in the dialogue with policymakers and the laws and norms which were the result of this dialogue.”

When national associations work with other regional networks, Setzer said, as the EPA works with the regional Arab Publishers Association, the resulting “bridges” make international cooperation easier.

Hundreds of trading-table seats await delegates to the 2018 Sharjah International Book Fair’s Publishers Conference on October 29. Image: Porter Anderson

‘How Similar the Challenges Are’ Internationally

In the past two years as the IPA’s vice president, Setzer has visited 22 countries, he said.

“While each country’s industry is distinct, it’s striking how similar the challenges are and the way governments are considering policy changes that will affect publishers.”Hugo Setzer

“While each country’s industry is distinct, it’s striking how similar the challenges are and the way governments are considering policy changes that will affect publishers.”

Censorship, self-censorship, and copyright concerns, Setzer said, especially the “Google gospel,” as he called it, are among the issues he finds publishers citing at the local as well as regional and international levels.

“A future where everyone has access to everything, whenever and wherever they want”—and too often with an assumption that all content is free—Setzer said, can mean that publishers face content aggregators “defending illegitimate privileges and exploiting consumers through [what those aggregators see as] an outdated thing called ‘copyright.’

“With very deep pockets, with which they have been able to sponsor academics to back their views,” Setzer said, content platforms can “push an agenda across the globe that offers free information for everyone.”

As would be evident in the program’s discussion of educational publishing issues, this sector of the industry is facing critical issues in regard to protecting its content and its use.

Meanwhile, as the morning conference sessions wound down, that international element of publishers’ networking at the 37th Sharjah Book Fair was evident in the upstairs rooms at the emirate’s chamber of commerce with their “matchmaking” seating ready for rights meetings.

Monday’s rights-trading activity was said by organizers to have been exceptionally brisk.

Midday at Sharjah on Tuesday. The 37th Sharjah International Book Fair opens Wednesday (October 31). Image: Porter Anderson


More on Sharjah International Book Fair is here, and more on the International Publishers Association is here.

About the Author

Porter Anderson

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Porter Anderson has been named International Trade Press Journalist of the Year in London Book Fair's 2019 International Excellence Awards. He is Editor-in-Chief of Publishing Perspectives. He co-founded The Hot Sheet, a newsletter for trade and indie authors, which now is owned and operated by Jane Friedman. He formerly was Associate Editor for The FutureBook at London's The Bookseller. Anderson also has worked as a senior producer, editor, and anchor with CNN.com, CNN International, and CNN USA, and as an arts critic (National Critics Institute) with The Village Voice and Dallas Times Herald.