Are Boys Not Reading Because of All Those Women in Publishing?

In News by Dennis Abrams

Are “boys are being deterred from reading because the ‘gatekeepers’ to children’s literature are mostly women?,” asks an author for The Times of London.

By Dennis Abrams

Boys reading

Are women to blame for boys not reading?

Writing for The Times of London, David Sanderson and Fiona Wilson report that author and illustrator Jonathan Emmett believes that “boys are being deterred from reading because the ‘gatekeepers’ to children’s literature are mostly women.”

Emmett, observing that the majority of publishers, editors, librarians, judges, and reviewers of children’s books were women says that this is the cause for the literacy gap between boys and girls.

Sanderson and Wilson write that he believes that “children’s books tended not to contain the elements many boys were attracted to, such as battling pirate ships and technical details about spaceships,” adding that research shows that the majority of children’s books in newspapers, including The Times, were by women.

Emmett noted that for the past two years, all twelve judges for Britain’s most important children’s book awards, the CILIP Carnegie and Kate Greenaway medals, have been women. “It is a really difficult argument to make because 99 times out of 100 it is women that are under-represented.

“But there is a literacy gap – boys are underachieving, boys do not like books as much as girls. I am arguing that this is because the industry is dominated by female gatekeepers.”

The article cites a British government report that found that the gap between boys and girls’ reading abilities is evident by the age of five, and that boy’s reading abilities later lag behind the equivalent of one year of school.

Emmet’s argument was supported by a number of female authors, including the award-winning author of The Gruffalo (PanMacmillan), Julia Donaldson.

“Sometimes I think that publishers make the mistake of never including any bad or violent things being done, even by baddies,” Donaldson told Sanderson and Wilson. “For example, you couldn’t have anyone smoking, even if it is a very bad person smoking and it’s clear that smoking is bad.

“Emmett probably has got a point – he wrote a book where there was some bad character who bashed up people, but a gentle female editor thought we couldn’t even show someone bad doing bad things or doing destructive things.”

The Times reported that Emmet’s study of more than 400 reviews in five British newspapers found that while 47 percent of the picture books and 41 percent of the children’s books featured were written by men, less than 20 percent of the picture book reviews and less than one third of the fiction reviews were by men. Indeed, all of the reviews in The Times and The Sunday Times were by women.

Emmett, a winner of the Red House Children’s Book Award for Pigs Might Fly (Puffin), told The Times that of the 50 editors he had worked with over the course of his career, only two were male. One publishing company, he reports, told him that research seemed to suggest that 95 percent of picture books were purchased for children by women.

“Mums and grans buy books – that’s what is driving the market,” he said. They read the book also and then there’s a tendency for the book to reflect their tastes as well. So there may be a pirate but that pirate will not be engaged in a battle.

“The number of times that I have tried to get technical information into a book and it is deemed inappropriate. It is one of the things that leads boys, and girls with boy-typical tastes, to say ‘I am not really interested in that kind of content. I am more interested in the content of video games.’”

About the Author

Dennis Abrams

Dennis Abrams is a contributing editor for Publishing Perspectives, responsible for news, children's publishing and media. He's also a restaurant critic, literary blogger, and the author of "The Play's The Thing," a complete YA guide to the plays of William Shakespeare published by Pentian, as well as more than 30 YA biographies and histories for Chelsea House publishers.