How Would You Change PEN World Voices?

In Discussion by Edward Nawotka

By Edward Nawotka

As the premier “international” literary festival in the United States, PEN World Voices has an obligation to be, well, international. But, as Chad W. Post points out in today’s feature editorial, the festival is going about it’s mission half-heartedly, trying to hedge its bets with the inclusion of big name US authors speaking in glitzy venues — just the sort of thing New Yorkers have the good fortune to be exposed to each day of the year.

I myself have never felt compelled to make a special trip to New York for the festival. Why? I can’t pinpoint one reason — but Chad lays out several that sound right to me: it’s pricey to make the trip, many of the events take place midweek (when I’m working), cost $15 or more per event (pricey) that are spread all over town (inconvenient, adding to the expense) and, for the most part, feature writers that are readily available (especially the Americans).

He also offers several recommendations to improve the event, including making it genuinely international, finding a central hub, shortening it to three days, and more. All fine proposals.

Unfortunately, he also points out that few people, other than those at PEN seem committed to seeing the festival change and improve — since so few people seem to feel a stake in its outcome. Assuming you’re a regular reader of this publication, you probably have a stake in all this. So tell us, how would you change PEN World Voices to improve it?

Let us know what you think in the comments.

About the Author

Edward Nawotka

A widely published critic and essayist, Edward Nawotka serves as a speaker, educator and consultant for institutions and businesses involved in the global publishing and content industries. He was also editor-in-chief of Publishing Perspectives since the launch of the publication in 2009 until January 2016.