YouTube’s Summer in the City festival in London attracted thousands of teenage fans to admire video stars with millions of followers — and publishers should take notice.
Author Kate Pullinger attended the 2013 MIX Making Day at the Bath Spa University, where participants experimented with a hybrid of new technology and old-fashioned storytelling.
Following up on Kate Pullinger’s report on the 2013 MIX Making Day, Porter Anderson looks at Craig Mod’s new way of saying Hi: narrative mapping.
Surveying the ebook discussions at BookExpo America, it’s clear that despite their popularity, ebooks still lack their own category of breakthrough storytelling experiences.
Ideas not technology should lead story development in the digital age, says multiplatform creator Matt Costello, a featured speaker at next week’s StoryDrive China conference.
Several new high profile interactive fiction titles have been released so far this year, suggesting that publishers and readers may finally be ready for the medium.
Despite celebrity backing, transmedia platform The Numinous Place has struggled to launch. Its story offers a case study in the challenges of developing interactive fiction.
The digital novel offers authors a myriad of new storytelling opportunities. With so many choices, authors will have to re-think how they conceive of their books.
Despite the advances in digital books and storytelling technology, Penguin executive Jeff Gomez says that publishers have so far focused on the wrong things.
In a surprise second act James Frey’s Full Fathom Five is successfully re-imagining the author/publisher relationship and book packaging for the 21st century.