‘All designed to move Scottish publishers into the international arena,’ Publishing Scotland’s program includes fellowships and a 2017 catalog.
What Margaret Atwood calls ‘an essential window into many of the hazard-strewn worlds younger women are living in right now’ announces a new publisher.
‘There’s always an element of surprise and unpredictability regarding what draws people to covers,’ says Canongate art director and Rising Star Rafaela Romaya.
When readers are wooed by ‘global entertainment,’ an independent press like Saraband, home to a Man Booker longlisted novel, can use ‘a little bit more traction.’
Zhejiang University Press has events at BIBF this week, as Japan’s Toto Serkan looks at Japan’s mobile gaming market, and Scotland’s Society of Young Publishers weighs the industry’s interest in new skills.
Despite the fact that he says, ‘I don’t consider myself a historical novelist at all,’ Simon Mawer wins the £30,000 pound Walter Scott Prize for Historical Fiction.
Scotland’s Palimpsest started as a pre-press and services provider, but seeing an open niche, is now publishing digital editions of Scottish classics.
Self-publishing, despite its community’s diversity of style and material, may need awards and other ‘gatekeeping’ devices for coherence in the marketplace.
From Jaipur to Melbourne to Edinburgh, Word Alliance aims to help top international book festivals lobby for government funding and to spread best practices.
Minneapolis-based Lerner Publishing Services announced a deal to exclusively distribute titles from Scottish children’s book publisher, Barrington Stoke
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