Can changes to copyright in places like Germany or Canada threaten your business? In order to protect their revenue, publishers need to know about copyright battles being fought around the world.
With a major Canadian textbook publisher citing a drop from $1 million annually to $100,000, Canada’s review of copyright changes may be welcome next year.
Israel has repealed its Law for the Protection of Literature and Writers, which required fixed book prices for 18 months and minimum author royalty rates.
As Germany’s publishing industry reels from a Supreme Court ruling on copyright levies that could plunge some houses into bankruptcy, legal counsel to the Börsenverein tells us that a Constitutional Court challenge will be attempted.
Kate Pool of the UK Society of Authors warns authors to look at contracts from digital publishers carefully to compare terms with self-publishing options.
Industry vet Michael Bhaskar’s digital publisher Canelo launches this week with two titles and is offering 50-60% royalties, giving UK authors new options.
After offering indie short form authors favorable royalty rates, Amazon has pivoted to attract bestsellers and bolster sales of Unlimited subscriptions.
At the Salon du Livre in Paris, a new program introduced indie publishers to agents and scouts, while authors continued protesting poor contracts.
With meager advances, often just 500 euros, and royalty rates of 3-8%, French children’s book authors have much to complain about.
Publishing Technology’s Randy Petway on the hazards of not knowing what rights you have, not protecting your intellectual property, and the financial benefits of mining the backlist.