‘In a sense, a book fair is a catalyst that propels rights deals towards completion,’ reads the introduction to the IPA’s new 2017 Global Book Fair Report.
The EVP of the new Kaiken Entertainment has a message for Berlin’s Publishers’ Forum: Think ‘full 360,’ story worlds, and ‘finding the right partners.’
Jeff Kinney’s Diary of a Wimpy Kid has sold more than 3 million copies in Italy. This week, the author visits his publisher in Milan—and a lot of young fans
Brisk springtime rights trading is reported from Scandinavia, with nonfiction hits as well as fiction highlighted in Denmark, Iceland, Sweden, and Norway.
As Brazil’s publishers look to boost their rights business, the Bienal do Livro in Rio prepares to host its Agents & Business Center for a second time.
International rights directors at two UK book publishers survey the continued importance of rights to an industry in search of new revenue channels.
‘Nothing has allayed the concerns’ of copyright-watchers in publishing, says Copyright Clearance Center’s Michael Healy. 2017 is fraught with hot spots.
‘I think we’re starting to recover,’ says one of 15 Brazilian publishers who are preparing to travel to next month’s Bologna Children’s Book Fair.
Excited about a debut psychological thriller, Toronto-based Westwood Creative Artists is a London Book Fair’s International Rights Center this week.
Rogers Coleridge & White’s David Miller is remembered in London as a deeply respected literary agent, a compelling author, and ‘wonderful father.’