At Forbes, George Anders argues we need a third category for books, one designed for those that ‘try to straddle’ the line between fiction and non-fiction.
Lisa Bruce spent years working on the film, The Theory of Everything, before convincing the author to sell the rights to the original memoir.
Beth Kephart, author of Handling the Truth — a guide to writing memoir — discusses several of her favorite border-crossing writers and the art of geomorphology.
Two California men have sued Lance Armstrong and his book publishers for fraud and false advertising, claiming that Armstrong’s two best-selling memoirs were bunk.
In nonfiction, people traumatized by events might be inclined to soften the details as a form of self-protection. Fiction may simply be safer and more tender.
Neal Maillet, Editorial Director of Berrett-Koehler explains why it’s a publisher’s duty to take on books that challenge convention despite the risks.
What really goes into making a BEA buzz book? Authorial obsessions, personal histories, medical redemption, the art and deliberate artifice of voice.
A Chinese pirated version of George W. Bush’s memoir, Decision Points, sparked controversy about its authenticity what is lost in the Chinese translation.
By Rachel Aydt Last Friday night, at the Bowery Poetry Club in Manhattan’s Lower East Side, the book GirlBomb: A Halfway Homeless Memoir, by Janice Erlbaum, was being celebrated on its 5th Anniversary by roughly fifty people who appeared to have been deeply touched in different ways by the memoir. At its root, Girlbomb (published by Villard in 2006) is a story …
Franz Wisner, author and founder of Story-Driven Ink — a new online writing workshop — on why he’s bullish on the future of the memoir. Editorial by Franz Wisner I just returned from a funeral, one in a long string. This one mirrored the others — a bunch of somber-faced mourners, huddled in a room, cradling fermented beverages, mourning the death of …
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