Government support for independent publishers is an essential public good because indie publishers provide an essential public service, argues Manuel Rico.
Andrew Franklin of London’s Profile Books doesn’t believe in publishing mysticism, just good business: “It always comes down to authors and their books.”
Mexico’s publishing industry has great potential, but the lack of organized government is a persistent problem, argues Déborah Holtz of Trilce Ediciones.
Will Evans, publisher of Deep Vellum Press, discusses building a translation publishing house from scratch with help of mentors and the Frankfurt Book Fair.
This is the part three of our series about how Venezuelan publishers are surviving amid fierce challenges. Today, we consider a trio of scrappy publishers.
Part 2 of our series looking at how small Venezuelan publishers are surviving and amid challenges looks at Lector Complice and Negro sobre Blanco.
Part 1 of our series on how Venezuelan publishers are coping with crisis looks at Igneo Editorial , a young publisher supported by a fitness magazine.
Andrea Fuentes of illustrated books publisher La Caja de Cerillos — Match Box Editions — outlines how she is trying to revolutionize reading in Mexico
Independent publishing and bookstores that offering indie press books are lone bright spots in an otherwise depressed South Korean publishing landscape.
The CEO of Australia’s Hardie Grant Publishing urges independent publishers to embrace “transformational solutions” to stay profitable in the years to come.