
It’s rare in the West for graphic novels to win mainstream accolades and readership, but in Asia, it is the norm. In the US, isn’t it time for that to change?

Printed graphic storytelling is an extension of all that has been performed for centuries across Asia, where often the word and the graphic symbol are one.

Using Sean Howes’ biography of Marvel Comics as a prism, Daniel Kalder considers the fate of comics, a declining art that makes billions in merchandise and movies.

How Zahra’s Paradise, a graphic novel about a protester who goes missing during the Iranian demonstrations of 2009, turned into a surprise global bestseller.
Icelandic comic book publisher Okeibækur specializes in ‘geek culture’ and serves up hilarious doses of the wild, wacky and profane.
Increasingly self-publishers are pushing into new aspects of publishing and taking control of their own fate. One of these areas is rights.

Graphic novelist Alex de Campi is using Kickstarter to raise $27,000 to fund production of her latest project, including selling print, film and foreign rights.
Breaking Down Barriers for Mexican Graphic Novels
Citing Mexico’s tradition of pictorial storytelling and penchant for the surreal, publisher Editorial Resistencia makes the case that the graphic novel is the ideal format for Mexican readers.