
With digitization offering authors new opportunities faster that publishers can take advantage of them, long book contracts grow increasingly unattractive.

Petra Hardt, Foreign Rights Director at Berlin’s Suhrkamp Verlag, has written ‘Rights: Buying. Protecting. Selling’ to help publishers make the best choices.
Four foreign-born French rights directors discuss the differences between working abroad and in Paris, where the job is ‘more important, more stimulating, and there’s more responsibility.’
Houghton Mifflin Harcourt Senior Editor Lauren Wein is a champion of international writers and looks for writers from unexpected sources.

Graphic novelist Alex de Campi is using Kickstarter to raise $27,000 to fund production of her latest project, including selling print, film and foreign rights.
Q&A with Adibah Omar, Project Manager at the National Book Council of Malaysia
Beth Kephart writes about how Ruta Sepetys’ novel Between Shades of Gray became an international bestseller.
Erin Cox interview Trent Knoss, Subsidiary Rights Manager, Perseus Books Group at the Frankfurt Book Fair.
Operating out of a converted car dealership, Kristján Kristjánsson publishes some of the most exciting literature in Scandinavia
Why Foreign Bestsellers Often Fail in Japan
Rongu seraa, the Japanese equivalent of bestselling backlist, means the odds are heavily stacked against new foreign bestsellers finding readers in Japan.