In stating its support for two years of discussion, the International Publishers Association at WIPO’s semiannual committee meetings signaled its stance on international copyright exceptions in education.
The first-announced institutional contract for the Cengage Unlimited subscription model for its digitally delivered college curriculum course materials has been signed for the 2018-2019 school year by New Mexico’s University of the Southwest.
In Russia, there is a growing demand for English language learning. Russian publisher Prosveshchenie announces a joint venture with Pearson to supply educational material to the market
The educational charity Book Aid International produces its own study that supports the tenets of its relatively new ‘Study Hub’ exam-oriented program.
Calling it ‘a truly essential organization for making our marketplace work,’ Canadian publishers honor the Access Copyright revenue collection agency, which is in the middle of a dispute with the education sector.
How are authors’ contractual rights with a publisher best handled when the house rolls out a digital subscription offer and promises that its entire content library will be on offer that way? An authors’ lawsuit of Cengage is calling the question.
‘My colleagues and I are suffering real-time damage triggered by this act.’ Glenn Rollans and Kate Edwards of the Association of Canadian Publishers, along with John Degen of the Writers’ Union, testify in hearings on the Copyright Modernization Act.
A program that provides more than 27,000 educators with weekly poetry and teaching materials to support it has won the 2018 Innovations in Reading Prize from the National Book Foundation.
In some of the most pointed commentary yet on the crisis created by the 2012 Copyright Modernization Act, the International Publishers Association testifies that Canada is ‘internationally an outlier’ for failing to protect intellectual property.
At Cambridge University Press, Paul Colbert is seeing a growing demand for English-language learning materials. Here he discusses the good and bad of English as a lingua franca.