
Amanda Knox hired attorney Robert Barnett to represent her to publishers for a reason: she’s going to save tens or hundreds of thousands of dollars in fees.

Agents sound off on key emerging markets, digital issues, agents-turned-publishers, the growth of film rights, and more prior to the start of the Frankfurt Book Fair.
E-books, royalties, new business models? Take our survey and let us know what you think.
Among the international players, every one is banking on Brazil. Among the English-speakers…let’s just say ‘Oh, Canada!’
Paris literary agent Pierre Astier looked beyond an exclusively French clientele and discovered award-winning talent in places such as Macedonia and Iceland.
Some agents are now offering to publish their client’s work themselves. Will there be repercussions from publishers?
UK agent Ed Victor and his new Bedford Square Books is publishing six titles pre-Frankfurt. Here he explains why his company is not competition for publishers.

Literary agent Jason Allen Ashlock asks, if agents act in an author’s best interests when they are also acting as their publisher. He says no.
With disintermediation looming, agents may find themselves advocating traditional publishing if only to maintain a role in the publishing paradigm?
Foreign Rights Directors in France: The Advantages of Being Foreign
Four foreign-born French rights directors discuss the differences between working abroad and in Paris, where the job is ‘more important, more stimulating, and there’s more responsibility.’