In talking about the Rwandan cultural context for reading and literature, publisher Louise Umutoni of Huza Press talks of authors publishing outside Africa.
A political novelist looks back on how issues explicated by her fiction ended up hampering book sales in her home country of Ethiopia.
Sarah L. Manyika has written that she finds African publishers ‘more savvy,’ willing to ‘look outside cliched representations of the continent’s writers.’
‘The problem with the Kenyan society is that we read mostly for exams.’ The country’s publishers say they’re troubled by children’s lack of a reading habit.
After almost 10 years in its original Kenyan setting, Muthoni Garland’s Storymoja Festival opens as an event in Accra, Ghana, newly relocated and pan-African in outlook.
‘To provide students with critical, analytical and logical skills,’ Mozambique’s education minister says that his revamped approach for the country provides a unified catalog of textbooks.
The Kenyan Publishers Association voices its frustration with Nairobi’s book tax, rare in Africa. Those punished by it, they say, are public school students.
As in parts of the world, distribution challenges loom large in Johannesburg for the book business. Bookseller Griffin Shea sees the need for a ‘metaphorical bridge.’
Three festivals are gaining traction in different parts of the battle-scarred African nation of Somalia. The next, Mogadishu’s fair, is scheduled for August 17 through 19.
Rotating among prose fiction, poetry, drama, and children’s literature, the Nigeria Prize carries a purse of $100,000. The longlist was chosen from 173 titles.