*+-Publishing is returning to its pre-industrial models when everyone was a creator, transforming into a network where emotions matter most, says Richard Nash.
*+-The UK PA is ‘not taking lessons from any freedom foundation people who say publishers are locking stuff up in this digital age,’ says CEO Richard Mollet.
*+-Publishers in the Middle East describe how they are trying to get around daily challenges, in particular falling book sales, resulting from instability.
*+-Sheikha Bodour, founder of the Emirates Publishers Association (EPA), discusses initiatives aimed at professionalizing publishing in the Arab world.
*+-David Hirsch, UCLA’s librarian for Middle Eastern and Central Asian Studies, is on a mission to collect the best printed material from the Arab world.
*+-The publisher of Actes Sud’s Sinbad and Babel lines of Arabic lit is also the not-so-secret historian of Arabic cuisine, Ziryab, now translated to Arabic.
*+-Winner of the International Prize for Arabic Fiction, Shukri Mabkhout spoke of his inspiration in the Tunisian revolution and use of Modern Standard Arabic.
*+-Franco-Tunisian street artist eL Seed, as depicted in his book “Lost Walls,” has found an audience by re-contextualizing the art of Arabic calligraphy.
*+-Mohammed Berrada, one of Morocco’s leading authors, discusses his decision to write in Arabic, the influence of France, and literature in Morocco.
*+-The Arabic e-book market remains hampered by difficulties with display technology, piracy and censorship, problems that require new thinking, skills, and tools.