Sarah Knight was sick of commuting, P&L statements and eating salad at her desk at Simon & Schuster, so she quit to freelance and seek happiness.
At the New Yorker, Adam Gopnik laments the closing of a bookshop in Paris, ultimately tying it to a loss of a kind of personal freedom.
After analyzing 15 years’ worth of top literary prize winners, Nicola Griffith notes that books about women rarely win.
In a year that has had failed to produce a new superstar literary author, old standby Jonathan Franzen took the stage at BEA 2015 to fill the role.
Using the example of Airbnb, Valla Vakili argues that great storytellers use familiar settings in unexpected ways, a tactic that applies business as well.
A publishing podcast is about creating intimacy with the reader. It’s not a bullet point or marketing strategy, says Anshuman Idaamsetty of PRH Canada.
CODE and the Bocas Lit Fest have announced the finalists for the 2015 Burt Award for Caribbean Literature, which honors YA titles by Caribbean authors.
Guo Jingming is often said to be the “richest writer” in China and now as the creator of the wildly popular “Tiny Times” films he likely is.
When it comes to titling fiction why is there such a preference for the word “girl” over “woman”?
Amazon has launched a new tool for authors to create and sell digital textbooks. But there are questions about royalty rates on higher priced e-textbooks.