Susan Hawthorne argues that independent publishing is the source of cultural diversity, bringing bibliodiversity to confront megapublishing and bookselling.
At the Hollywood L.I.T. Retreat producers, filmmakers and more shared inspiration for building a career and getting your story to the silver screen.
Sam Missingham explains how HarperCollins UK’s recent Virtual Sci-fi Festival leveraged new platforms to connect backlist authors with new readers.
What’s it like to sell over 200 million books worldwide? Dan Brown speaks with Publishing Perspectives about his writing life in the wake of enormous success.
Ricardo Fayet, co-founder of Reedsy, an online publishing services marketplace, discusses the startup’s business model and philosophy.
In 2014, publishers dealt with shrinking bookstores shelves, opaque sourcing, Amazon v. Hachette and the continuing rise of self-publishing.
As Curtis Brown Ltd. celebrates its centenary anniversary, the firm’s CEO reflects on rights sales and the changing role of literary agents and authors today.
Eileen Gittins, CEO of Blurb, says that even as the digital transformation takes hold, a series interest in high quality print remains.
Jesse Finkelstein and Trena White of Page Two, a publishing services firm in Canada reflect on what they’ve learned in their first year in business.
Margot Atwell, ex-publisher of Beaufort Books, discusses the appeal of Rollerderby and her efforts to publish a book about the sport via Kickstarter.